OVD080 : Pierre Vervloesem / Non-essential
"I have been told that I am not essential. OK then !"
OVD080 : Pierre Vervloesem / Non-essential
OUI030 : The Shonai Collective / Epiphany
The album works as a portal into the artist's inner world, with melodies, grooves, and sounds conveying a range of feelings translated into music with themes such as missing someone, hope, the beauty of simplicity, and the impermanence of life.
"Epiphany" offers a rich and diverse soundscape, incorporating elements of folk, bebop, impressionism, waltz, minimalism, and hip-hop/R&B. This eclecticism adds a unique flavour to the album, showcasing The Shonai Collective's creative minds through collaboration, acceptance, and open-mindedness.
At its core, "Epiphany" can be classified as modern jazz and is a testament to the power of music in conveying complex emotions and universal truths.
The album concludes with a minimalistic composition featuring two quotations by Swami Vivekananda, a prominent philosopher from Bengal. This track serves as a philosophical reflection on the betterment of humanity and society.
“Every idea has to become broad till it covers the whole of this world, every aspiration must go on increasing till engulfed the whole of humanity nay the whole of life within its scope.” - Swami Vivekananda
“Take off the veil of hypnotism which you’ve cast upon the world. Send not out thoughts and words of weakness into humanity.” - Swami Vivekananda
ODG195 : Mati Pirsztuk / Mitternacht
About the album, Mati says:
Mati Pirsztuk is an Argentinian experimental musician, composer and audiovisual artist. He incorporates different styles such as avant-garde, field recording and Berlin school. Along with music, he works as a film director. His works were published in different countries like Greece, Netherlands, Germany, Czech Republic, UK, Japan, USA and Croatia.
This is a BANDCAMP ONLY release.
Digital release on the 17th of March 2024.
Track listing:
Cover art by A.L.
ODG186-OJP075 : Alinovsky - Tetsuroh Konishi / Hypnotic
The new album was composed with an idea of perpetual slow variations in the backing electronics, giving a sense of hypnosis in the music.
Tetsuroh San added his magical trumpets to give the album another ethereal dimension.
OUI029 : We Will Intersect / Fragments
Australian improvisational “supergroup” We Will Intersect are proud to release Fragments, the follow up to their 2023 self-titled album (see also OCD053). Fragments features the quartet’s trademark electro-acoustic post-jazz improvisation, and masterful editing and production in a concise four-track release.
We Will Intersect is co-led by Adrian Lim-Klumpes, celebrated Australian pianist and mastermind behind some of Australia’s most original instrumental groups Triosk and Tangents, as well sensational young Australian trumpeter and sound artist Nick Calligeros (Microfiche, SOFT SPOT). Co-leaders Adrian and Nick met 16 years earlier as music tutor and student, respectively, and have gone on to forge a strong musical relationship including this group. The group also features both drummer & producer Nick Meredith (KCIN), who from a single drum rigged up to his laptop, is able to achieve an entire palette of otherworldly sounds, and versatile jazz drummer Miles Thomas.
The four tracks of Fragments are short excerpts cut from an extended hour-long recorded improvisation that leads the listener through a masterfully constructed journey traversing multiple sound-worlds towards a cathartic conclusion.
Lim-Klumpes and Calligeros creatively edited each excerpt, constructing four distinctive and captivating sound-worlds. The first three tracks feature relatively restrained, experimentally-tinged soundscapes scattered with electronics and treated instruments, while the final track centres round a raw and impassioned trumpet solo over highly-compressed and gated drums and a ghostly piano track.
Nick says: “This new record highlights the development of the group’s sound, not only in terms of strengthening ideas around group improvisation, but in terms of our post-production. The sound-worlds feel richer due to the additional creative editing and processing we experimented with on this record.”