Monday, 4 May 2026
OUI077: Daniele Morelli / Té negro
Monday, 20 April 2026
ODG238 : EyeSkreem / EyeSkreem - Vol.III
ODG238 : EyeSkreem / EyeSkreem - Vol.III
EyeSkreem sees the third union between avant-garde experimentalist Andrew Leslie Hooker on No-imput mixing board and Russ Grant on guitar for their follow-up Vol.III.
To listen at full volume to interact the best with the music.
Both of them were/are extremely involved in experimental improvised music having played with a huge amount of musicians from that scene since the early nineties in the UK.
Andrew Leslie Hooker - no-input mixing board & various boxes
Russ Grant - electric guitar & various boxes
See Vol.I for all the details of this trilogy.
Digital release on the 1st of May 2026.
Track listing:
2: C2 - Brittle With Relics
3: C3 - Bloodied Shavings Of Deteriorating Time
Vol III Collected Stories - by Russ Grant
C1. I Have Met Them At Close Of Day Coming With Vivid Faces
Oh how we now sing the body mechanical
Everybody was Kung Fu dancing
The sun sank sharply
Old Man Whiskey Horse hugged his granddaughter
and left the rowdy Red Lion behind.
The kebab shop was empty.
He sat alone by the river enjoying falafel in pitta
On the opposite bank familiar skeletons erupted
Ghosts waved and blew him kisses
He remembered loves and friendships
A passing tabby cat miaowed
and that was that.
CII. Brittle with Relics
‘Brittle Bob’ hobbled down the hill, hiding an LP under his Jerkin.
Two teenage brothers were fixing an Italian moped on a driveway.
They were Arnold and Eugene, the barbers’ sons,
A wireless distorted through the grapevine.
The brothers danced, passing spanners and tossing rags
They revved and rolled their eyes.
They waved at Bob and called out
“Hey Bob, How y’doing buddy?”
Bob nodded to show he was OK... today.
Bob wobble-struggled on down the hill,
through school and the youth club into early adulthood.
Sometimes traumatic memories
haunted, howled, horrified or helped,
especially if he dreamt of Emily
and woke up with Julia.
CIII. Bloodied Shavings of Deteriorating Time
A documentary starts weaving
Through sunlit clifftop church ruins,
Gull shaped silhouettes en-shadow the sacred stones,
A fast grey navy motor-boat trails the coast below.
He remembers taking his father’s horse without permission
The audacity
The excitement
The speed
The danger The plain The tent The woman The tea The joy
His father’s anger and cruel revenge.
Now, In their city of wickedness.
They are teaching him to read and speak and think their way.
There are two women.
One who asks a question in the language of documentaries.
and his sister who whispers and weeps.
He barely hears what she says.
The subtitle is completely wrong.
OUI072 : Varv / Transit
OUI072: Varv / Transit
After their debut Lowlands ( see OUI032), the duo Varv continues their journey with Transit (Off Record, April 2026), a work that deepens their exploration across different musical genres, which lies at the heart of the project.
The album’s six tracks outline possible forms of dialogue between the two musicians, in a constant exchange where sound—through its modulation and continuous evolution—remains both the focus and the premise of their compositional research. Electronic sequences, written material, and improvisation intertwine in structures that are sometimes open, sometimes more rigid, yet always capable of transforming along the way.
Transit evokes precisely a condition of passage: a suspended space where nothing is rigidly defined, and every element remains in flux, malleable, and in a state of continuous possibility.
Varv is a crossover project (contemporary jazz, electronic) formed by Andrea Cappi on keyboards and Francesco Mascolo on drums. Their music blends written material, improvisation, and sound manipulation. The name of the project evokes both the evocative and structural nature of their research: a path that unfolds through layers, overlapping different influences and languages until it forms a narrative that opens onto distant landscapes. In geology, a varve is an annual layer of sedimentary rock that records the passage of time and its transformations, like wrinkles on a face. In the same way, the duo’s music seeks to build itself through accumulation and mutation.
Francesco Mascolo: drums
Friday, 17 April 2026
ODG239 : Charles-Eric Charrier / ViE
Cover art by Gilda Temple
ODG239: Charles-Eric Charrier / ViE
Originally released in 2 separate albums under the band name vlady Miss: first the Ep 'Muter/mute in April 2020 as an auto production, then the album 'ViE' in January 2021on a small French label.
Music long since freed from all constraints and burdens.
What the press wrote at the time for 'ViE' (extracts):
1: in Indiepoprock by Yan Kouton
"VIE in capital letters, couldn’t better express what comes alive on this album; so many vibrations, resonances, weightless notes, short phrases whose astonishing grace never ceases to captivate. This combination of sounds and silences into which we are immersed, this ensemble of rhythms and pitches, nuances, and the timbre of the voice truly constitutes authentic poetry. A complete poetry, both sonic and written, at once sensual and spiritual, profound and visceral.
"VIE" is a truly great album by a musician at the height of his powers, showcasing the serene power of his vision. It's worth noting that the album is accompanied by a magnificent visual extension: a series of videos that further enhance the appeal of this essential "VIE."
2: Sun BURNS OUT by Benjamin Berton
"Highly active as a solo artist, Charrier returns with a seven-track album for which he wrote the lyrics and composed the music in collaboration with Laurent Komlanvi Bel. The record boasts a rich production and an electro-folk warmth that lends it a captivating, woody, and magical texture. One is reminded of the singer-songwriters of Hood and the entire new folk galaxy on the sublime "Cingle," with its crackling, generous electronica reminiscent of a crackling fireplace. "The Komlanvi's Song" is delicately pastoral and beautiful, like something by John Martyn. ViE is one of those albums that is best listened to rather than analyzed."
And about Muter/Mute:
1: Indiepoprock by Yan Kouton
"Seemingly simple, this new EP appears to capture the very essence of music, oscillating between experimentation, unconventional jazz, and mutated blues. But this doesn't truly reveal the mystery carried by these tracks, barely accompanied by Charles-Eric Charrier's minimalist poetry. The essential element lies elsewhere."
2: Indierockmag:
"Co-produced by Laurent Komlanvi Bel, with whom Charles-Eric Charrier released the album Rising at the end of 2018, Muter/Mute gives pride of place to the acoustic guitar, and even to guitar duets, without stagnating in prettiness, far from it! Thus, the immaculate and no less organic folk romanticism of the title track gives way against a backdrop of distortions to Charrier's sensual prose before morphing (mute?) into a saturated percussive trance, while the reveries of Assembler, illuminated by ambient layers, gradually gain intensity with the deconstructed strikes and other hypnotic effects, evoking early Labradford or even The For Carnation. As for the shimmering meditations of the summit, Raccompagner Léger, their African blues accents become increasingly drone-like, shamanic, and raw under the impetus of the toms and electric swells, revealing some affinities with the excellent William Ryan Fritch/Vieo Abiungo, much to the delight of aficionados like ourselves. An EP as short as it is vibrant."
You know what you have to do!
Textes: Charles-Eric Charrier
Musiques : Charles-Eric Charrier et Laurent Komlanvi Bel
Réalisation artistique, enregistrement et mix : Laurent Komlanvi Bel
Joué par LKB & CEC
Mastering : Pierre Vervloesem
Production : Charles-Eric Charrier
Lettrage : Gilda Temple
1. La Source
2. Cingle
3. The Komlanvi’s song
4. Into the Wind
5. Un & Zéro
6. Libre de moi
7. Affleure
Muter/Mute:
1. Muter/Mute
2. Raccompagner léger
Tuesday, 14 April 2026
OMT019 : Shabaaz Mystic / Graine
OMT019: Shabaaz Mystic / Graine
Shabaaz Mystik returns with his new album 'Graine' (Seed), where he affirms his unique style by building a universe where African musical tradition and modernity meet, where hip-hop, jazz, and soul fuse to create a universal language.
It's also a return to his roots in Congo-Brazzaville, his birthplace and beloved home.
Each track tells a story drawn from his culture, whether ancestral, paternal, or local, making this perhaps his most personal album to date.
It's an invitation to slow down, listen deeply, and allow what might blossom within each of us to germinate.
Each track is designed to touch the soul, inviting reflection and dance. ‘Graine' is the most accomplished expression of his artistic approach. More than just a record, it's a true sonic ritual where each track is a seed sown in the mind and heart of the listener.
The album explores themes of rebirth, memory, transmission, and healing, offering an introspective and sensory journey through silence, pulse, and poetry.
Digital release on the 14th of April 2026.
Track listing:
credits
Friday, 10 April 2026
OUI071 : Puma Dechambre duo / /Pause/
OUI071: Puma Dechambre duo / /Pause/
The two musicians give themselves completely to invite you to finally take the time. They took that time to compose these seven pieces—sensitive, fragile, and powerful at once—together, with four hands and twenty fingers. /Pause/ is: ten days in the studio, an unconditional love of sound, new sonic experiences, an acoustic journey that occasionally ventures into electronic territories, seven different soundscapes, and above all, a willingness to embrace randomness and accidents.
The two friends know each other deeply and leap into the unknown, trusting each other blindly. These seven musical tableaux invite you first to imagine infinitely vast spaces, and then to explore uncharted microcosms.
Friday, 3 April 2026
OCD054-OUI070 : João Lobo / Nahang
OCD054-OUI070 : João Lobo / Nahang
'Nahang' means whale and is both a simple reference to a sound that keeps coming back in the record and the deeper meaning that this animal has in our planet. The group is based on the trio from Lobo's previous album, "Simorgh", with Norberto Lobo and Soet Kempeneer, adding the voice of Lynn Cassiers. This group explores an electric sound, with low volume but high intensity through original compositions. The music searches the balance between movement and staticity with long repetitive grooves and soundscapes that serve as canvases for other interventions (words, melodies, improvisations). The lyrics are inspired particularly by bel hooks' "all about love" as well as real events that show the collective inability of human beings to love (themselves, other humans and other living beings).
Lynn Cassiers: voice, electronics
Norberto Lobo: electric guitar
Soet Kempeneer: electric bass, double bass, keyboards
Nooshin Khatami: spoken word samples on tracks 2 and 3
All music and lyrics written by João Lobo except for excerpts of translated poems by Rumi spoken on tracks 2 and 3.
Cover photo by Alexandre Soeiro
Thank you Nooshin, Lynn, Nor, Soet, Christophe, Werkplaats Walter, Alex, James and Alain.
João Lobo:
From jazz to gnawa music, electro-acoustic trance to total improvisation, in solo or in a big band, collaborating on dance and theatre productions and making soundtracks for movies, João Lobo maintains a versatile career as a musician mainly playing the drums. He has released two records under his name: “Nowruz” in 2017 and “Simorgh” in 2020.He is the co-founder of Oba Loba, Going, Tetterapadequ, Norman, Mulabanda, and a proud member of Giovanni Guidi Trio, Manuel Hermia Trio, Punk Kong, An Pierlè&La Lumière, Daniel Stokart Quartet
He has performed and/or recorded in many countries around the world with many musicians including Enrico Rava, Marshall Allen, Roswell Rudd, Carlos Bica, Nate Wooley, Maalem Hassan Zogari, Tatsuhisa Yamamoto, Thomas Morgan, Chris Corsano, and collaborates intensely with Norberto Lobo, Giovanni Di Domenico, Lynn Cassiers, Manolo Cabras and Giovanni Guidi.
Norberto Lobo:
Norberto Lobo is a Lisbon-based guitarist who has had a long solo career with seven critically acclaimed records in his name: “Mudar de Bina” (2007), “Pata Lenta” (2009), “Fala Mansa” (2011), “Mel Azul” (2012), “Fornalha” (2014), “Muxama” (2016) and “Estrela” (2018) as well as performances around the world. He has worked with Ben Chasny, Naná Vasconcelos, Joshua Abrams and regularly collaborates with Yaw Tembe, Eric Chenaux, Marco Franco, João Lobo, a.o. Jack Rose and Ben Chasny have said that he has one of the best left-hands around - for a right-hand guitar player. His fans include Gary Lucas and the late Llasa de Sela.
Lynn Cassiers:
Lynn Cassiers is a Brussels-based singer and soundscaper in the new jazz and improv scene. She has worked with leading contemporary jazz ensembles such as Octurn, Lidlboj, The Brussels Jazz Orchestra, Mäâk, and Naga, among others. She is also part of bands like Lilly Joel/Lilly Joel Plays The Organ (Jozef Dumoulin), Holsen & Cassiers (Hilde Holsen), Tape Cuts Tape (Rudy Trouvé, Eric Thielemans), Flying Nimbus (Manolo Cabras), Sylvaine Hélary’s ‘L’Orchestre Incandescent,’ Airelle Besson Quartet, Oba Loba, Alexandra Grimal’s Naga & La Vapeur au-dessus du Riz, and Oriol Roca Trio featuring Lynn Cassiers.
In addition to performing solo and as a sideman, Lynn leads her own projects: ‘Imaginary Band’ (Clean Feed, 2018) and ‘YUN’ (Clean Feed, 2020). These are two mid-sized electro-acoustic ensembles that, despite a partially overlapping lineup, each have their own distinct sound and repertoire (featuring Erik Vermeulen, Marek Patrman, Manolo Cabras, Bo Van Der Werf, Jozef Dumoulin, Sylvain Debaisieux, Ananta Roosens, and Niels Van Heertum).
Lynn’s work incorporates a wide variety of styles, including free jazz, pop, rock, noise, film music, folk, and ambient. Over the years, she has developed a unique style, using electronics to manipulate her voice and create abstract sound textures in various musical contexts. Her work has been reviewed by the international press.
Soet Kempeneer:
Soet Kempeneer is a Belgian bassist, double bass and synthesizer player working across jazz, electronic and experimental music. He is active in projects including SLAGADER, Jokke, Innocnt and Woolvs Large Ensemble, moving between electric bass, double bass and synthesizers. His musical world draws from jazz, pop, improvised music, electronic textures and experimental pop.
Digital and physical release on the 3rd of April 2026.
Track listing:








