Tuesday, 10 November 2026

UFO000 : People of the Wind / People of the Wind

 



A new series for Off: (Un) folkloric is born. 

A series which will see musicians from all over the world either reinterpreting / arranging / transforming traditional world folk music or composing new music in the style of ethnic music using new structures, instruments or electronics.

UFO000 : People of the Wind  / People of the Wind 

The series starts with People of the Wind, an explosive trio inspired by the ecstatic traditions of “zourna” and “daouli” stretching from West Africa to the Far East. Of particular interest are the repertoires of Greek Macedonia where the trio is based, Turkey and Iran. Guided also by a fascination for the role music plays in traditional societies in these places, the group directly addresses the question of its own musical roots. Also, the nature of interpreting this music with a instrument such as the saxophone also requires a great deal of technical and sonic innovation resulting in a wholly new and exciting group sound with rhythm and dance at its core.

Their self-titled album, features creative interpretations of traditional pieces from Greece, Turkey, Bulgaria, Iran and Armenia as well original compositions by James Wylie. Also featured on the album are Cypriot vocalist Yiannis Dionisiou and Iranian singer Sanam Sousani.

Alexandros, James and Fausto

James Wylie:

Originally from Wellington, New Zealand, James Wylie is a saxophonist, multi-instrumentalist, and composer currently based in Greece. He was introduced to music at a young age through the classical repertoire and, during his teenage years, turned to the saxophone—an instrument that opened the door to the world of jazz and improvised music.

His distinctive voice bridges different musical worlds, and he is active both as a bandleader and as a sideman, recognized for his versatility, depth, and ability to move fluidly between contemporary jazz, free improvisation, and the modal traditions of the Eastern Mediterranean and the Middle East. He brings this broad experience and enthusiasm to his work as an educator, having devoted many years to sharing his knowledge and passion for music through a teaching philosophy that emphasizes deep listening, intercultural fluency, and creative exploration.

Fausto Sierakowski:

Born in Paris in 1988 and grew up in Rome, Italy.

In 2009 he graduated in classical saxophone from the Santa Cecilia Conservatory under the direction of Alfredo Santoloci and in 2012 he obtains a Masters Degree in Contemporary Improvisation from the New England Conservatory under the direction of Anthony Coleman, Hankus Netsky and Frank Carlberg.
While in the US and upon his return to Europe in 2014 he has performed and recorded with musicians such as Matt Moran, Anthony Coleman, Joe Morris, Matt Darriau, Satoshi Takeshi, Hayden Chisholm and Axel Dörner.

In 2016 he moves to Greece in order to study Ottoman Classical music and Oud with Evgenios Voulgaris.
Since then he performs with the ensembles of Evgenios Voulgaris, Thymios Atzakas and James Wylie and with several bands such as People of the Wind (with Alexandros Rizopoulos) and Rodakina (with Avgerini Gatsi, Maria Ploumi and Evi Kanellou).


Alexandros Rizopoulos:

Dr. Alexandros Rizopoulos is a performer and ethnomusicologist whose work centres on the daouli and the rich musical traditions of the Balkans. He leads the Alenti Quintet, performs solo with Sima Vounou, and teaches at the Universities of Athens and Macedonia. With over twenty-five years of experience, he has performed at festivals, village celebrations, weddings and *panegyria*, collaborating with numerous distinguished musicians and artists. His work has taken him to a wide range of cultural and educational institutions, including the Grotowski Institute in Poland, the Musical Courtyards of Ikaria, Music Village in Agios Lavrentios, the National Conservatories of Paris, the World Human Forum and the Quilombo Cultural Centre.



https://www.peopleofthewind.gr/

https://www.instagram.com/people_of_the_wind/

Digital release on the 10th of November 2026.

Track listing:

1: Sürmelim Zeybeği (trad. Turkey)
2: Introduction / Dances from Sasun (James Wylie/trad. Armenia)
3: Dolatyar (trad. Iran)
4: Lost Cities (James Wylie)
5: Kija Kerchal / Benusheh (trad. Iran)
6: Galazia Peristera / Asimenia Verga (trad. Greece)
7: Taksim (Fausto Sierakowski)
8: Imitlerim (trad. Greece/Bulgaria)
9: Mia Paraskevi / Mana Mou Ta Louloudia Sou (trad. Greece)
10: Avaz-e Dashti: Karevan / Dar Qafas (comp. Abolhasan Saba/arr. James Wylie)
11: Malatya Bulunmaz Eşin / Malatya Halayı (trad. Turkey)
12: Wonderment / Lullaby (James Wylie/trad. Iran)

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Friday, 6 November 2026

OUI095 : douBt / Mercy, Pity, Peace & Love


 

OUI095: douBt / Mercy, Pity, Peace & Love

The internationally-acclaimed power trio returns with their highly-anticipated, second full-length release for Moonjune Records. Mercy, Pity, Peace & Love is a concept album deriving its inspiration as much from William Blake’s visionary aesthetics (the title is taken from the poet’s "Songs of Innocence and Experience") as from a diversity of 20th-century musical icons -- ranging from Jimi Hendrix, King Crimson, Stevie Wonder and Tortoise, to Igor Stravinsky and Olivier Messiaen.SpacerRather than a linear sequence describing one musical event, this record is a multilayered sonic adventure that has a lot going on. Alternately fiery and mellow, groovy and meditative, Mercy, Pity, Peace & Love is a marked departure from the free-rock and -jazz models of its predecessor (the much-praised Never Pet a Burning Dog) and is rooted in the trio’s most inspirational rock sources.SpacerOffering hard-edged, straight-ahead beats, jazzy ballads, and even a cover version of Hendrix’s “Purple Haze” which is bound to set your ears on fire, this album is filled with furious guitars riffs, progressive keyboard extravaganzas, and monstrous, thundering drums. Play it loud!

Alex Maguire: keyboards
Michel Delville: guitar, Roland GR09, samples
Tony Bianco: drums, sequencer

Recorded on April 11 and December 5, 2011, at Studio Simonne, Brussels, Belgium.
Mixed & mastered by David Minjauw, on January 2012, at Studio Simonne, Brussels, Belgium.
Produced by douBt.
Executive Producer: Leonardo Pavkovic

Originally released on Moonjune Records in 2012

Digital release on the 6th of November 2026.

Track listing:

1: There Is A War Going On
2: Jalal
3: No More Quarrel With The Devil
4: Rising Upon Clouds
5: Purple Haze
6: The Invitation
7: Mercy, Pity, Peace & Love
8: There Is A War Going On (Reprise)
9: Tears Before Bedtime
10: The Human Abstract
11: No More Quarrel With The Devil (Reprise)
12: Mercury
13: Goodbye My Fellow Soldier

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Tuesday, 3 November 2026

ODG245 : Demain Sans Faute / Promontoire

 



ODG245 : Demain Sans Faute / Promontoire

With this new release—composed and recorded by L'Austral between July and August 2026 at Epicericods Studio—*Demain Sans Faute* places percussion at the heart of music driven by trance and polyrhythms. 

Patterns overlap, shift, and repeat, creating a hypnotic texture 
that blends traditional music with industrial sounds.
Then, everything fractures: accidents, overflows, and moments left to chance.

The record moves between dance and derailment, between relentless repetition and improvisation, evoking the strange sensation of witnessing a marching band that has lost its sheet music along the way.


Music video:

https://www.youtube.com/watch?v=zW8XEMGaXrM


'Demain Sans Faute' is the project of Aurélien (aka L'Austral), a member of the bands Chafouin, Marylin-Rambo, Grosse Pointure, Lapin, Brôtchen des todes, and others! His work combines percussion, guitar, synths, and loops to create a somewhat experimental, cinematic trance music—somewhere between Steve Reich and Sonic Youth...

Digital release on the 3rd of November 2026.

Track listing:

1: 45678
2: Keutru
3: Rien à voir
4: Exagérèse
5: Percubabos
6: Septpes

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Friday, 30 October 2026

OJP086-OUI093 : trio export 63 / locomotive

 


Cover art by A.L.


OJP086-OUI093 : trio export 63 / locomotive

'locomotive' by trio export 63 is an experimental and challenging album.

In addition to the improvisation of jazz, it also aims to incorporate elements of contemporary music such as Poulenc, Bartok and Reich and current music such as noise music.

Most importantly, their music adopts the unique element “ Ma a  i ” seen in traditional Japanese music (such as Noh music). 

 “ Ma a  i ” means an arbitrary time interval between the sound and the sound that occurs during the performance.

Close your eyes for an internal sounding journey.

Keisuke, Heitetsu and Masatsugu

Heitetsu Rin: pianist composer


Started playing the piano at the age of four, and studied classical piano and music theory at the Tokyo College of Music until the age of fifteen, when he won the Encouragement Prize at the 1988 Mainichi Newspaper Student Music Competition.

In 2001 he moved to the USA to study Jazz Composition at Berklee College of Music, where he continued his studies in Jazz Piano and Music Theory. Since then, he has been involved in a wide range of musical activities.

Performances with Vincent Herring & Eric Alexander at jazz live houses across Japan and Tokyo, BLUE NOTE Shanghai and Beijing in 2023.
Played the piano accompaniment when the performance group "Theater Triangle" won the Grand Prix at the Czech International Puppetry Competition in 2004.
Media appearances (NHK-FM J-Wave, etc.).


Keisuke Furuki: bassist



Born in Kanagawa prefecture in 1990 in a musical family ( his mother is a singer and his father a pianist), he grew up listening to jazz and world music and started to participate in the live sessions held at his parents' restaurant.

He studied double bass with Koji Yamashita and jazz piano with Gohiro Iinuma. He taught himself the music theory necessary for improvisation and began his professional career in his teens and is known for his deep understanding of each person's composition and musicality.

He has gained the trust of musicians from a variety of genres, although his main focus is jazz.

Some collaborators include:

Kit Downs(p), Danny Grisett(p), David Barkman(p), Davy Moony(Gt), Adam Unsworth(hl), Gene Jackson(Ds), Shunzo Ohno(tp), Masafumi Yamaguchi(sax), Junko Onishi(p), Fumio Karashima(p),
Shingo Okuhira(dr), Yoshiaki Masuo(Gt), Kazumasa Akiyama(Gt),
Wataru Omura(ds), Yasumasa Kumagai(p), Hideaki Hori(p), Keishi Matsubara(gt) etc.


Masatsugu Hattori: drummer



Born in 1979, After studying at MI Japan in Nagoya, he started his career while still at university.

He plays mainly jazz music but is also active in a scene that demands  radical aesthetic sense of the times.

Some collaborations:

In 2014 he appeared as Sugadairo trio in TV Asahi's "Ongaku-kai with no title" and in 2015 he participated in the Japanese premiere of B.A. Zimmermann's "A Requiem for a Young Poet", conducted by Kazushi Ohno and also in the ISSEY MIYAKE Spring Summer 2016 show at the Paris Collections.
In 2020 he participated in the music for the movie "Sasaki, In, My Mine".
Participated in Sugadairo's works such as Sugadairo Trio. 
As a recording and live support, he has worked with Bakurocho Band, Hiroko Seibu, Taisei Iwasaki and many others.
Some collaborators include:
Kit Downes(p), Roy Campbell(tp), Laurent Larcher(b), Sugadairo(p), Yosuke Yamashita(p), Eiichi Hayashi(as), Shinpei Ruike(tp), Hiroshi Minami(p), Motohiko Ichino(g) , Naruyoshi Kikuchi(ts), Aimer, K-BOMB, SHING02, Eriko Hashimoto (Chatmonchy), Hidenori Mukai (ZAZEN BOYS), Ei Wada (Open Reel Ensemble) and many others.

Digital release on the 30th of October 2026.

Track listing:

1: ao i heya
2: locomotive
3: spiral
4: there's what to be

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Friday, 23 October 2026

OUI091 : Vigdis Hansa Elst / Ruis

 

Cover art by Megan-Leigh Heilig 


OUI091 : Vigdis Hansa Elst / Ruis


Vigdis says:

'Ruis is my debut album as a composer, singer and bandleader. The album grew out of a fascination with listening: to one another, to what is happening around us, but also to silence and to what is left unsaid or unplayed.

The music consists of compositions for a jazz quintet, in which I explore different relationships between composition and improvisation. My influences lie both in jazz and classical music, from counterpoint to contemporary compositional techniques, as well as in free improvisation. These different approaches to material, form, time and interaction are not an end in themselves, but rather ways of finding expression and telling stories.

I write the lyrics myself, in both Dutch and English. Language, sound and rhythm are an integral part of the compositional process. The texts grow out of personal experiences and observations, touching on themes such as grief, letting go, distance, connection and listening. Hoorschelp, for example, is about listening to the sounds of the sea and sand at the beach, through a personal lense.'


The music moves between extremes: from very soft and intimate, almost on the edge of silence, to moments of powerful and explosive expression. Sylvain Debaisieux (tenor saxophone), Joseph Nowell (piano), Manolo Cabras (double bass) and Gaspard Sicx (drums) each bring their own musical language to the music, coming together in a continuous musical conversation.

Vigdis by Simon Debbaut

Vigdis Hansa Elst is a composer, vocalist, performer and improviser based in Brussels. She holds a Master's degree in Composition from the Royal Conservatory of Antwerp, where she studied with Wim Henderickx and Luc Vanhove.

Her musical practice moves between two closely connected worlds: the composed and the spontaneous. She writes chamber, vocal and music-theatre works, while also exploring improvisation as a performer and vocalist. Her practice is rooted in both careful composition and the freedom of live, improvised music. 

Vigdis increasingly brings these two sides together on stage, performing her own compositions as well as improvisations, both solo and with ensembles.

Her work has received several distinctions, including a special mention in the European Award for Choral Composers and third prize in the Soundtrack competition of La Semaine du Son in Brussels.

Vigdis Hansa Elst: voice
Sylvain Debaisieux: tenor saxophone
Joseph Nowell: piano
Manolo Cabras: double bass
Gaspard Sicx: drums

Recorded by Manolo Cabras on December 18th and 19th, 2025, at the American Theatre, Laeken (Brussels)

Mixed & Mastered by Manolo Cabras

Met de steun van Muziekmozaïek & de Vlaamse Overheid
Artwork by Megan-Leigh Heilig
All compositions & lyrics by Vigdis Hansa Elst

Digital and physical release on the 23rd of October 2026.

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CD prices and shipping:


Price

Friday, 16 October 2026

ODG244 : Charles-Eric Charrier / Early sliding to opening

 

Covert art painting by Gilda Temple


ODG244 : Charles-Eric Charrier / Early sliding to opening

‘Early sliding to opening’ is a 4 tracks mini album which will pave the transition between his last double ‘Un’ album (see OUW025) and his forthcoming new one in February 2027 ‘I am sailed’.

Once again with strong texts and minimalistic but effective and powerful emotional music Charles-Eric gives us a moment to reconnect with another dimension in time and space.

A moment to forget about the day to day busy life and reflect about something else while floating on his voice and music.

All songs by Charles-Eric Charrier
*"Ghost" by Charrier & Cousin

Recorded and mixed by Jérôme Cousin at studio Vetter.
Played by Jérôme and Charles-Eric.
Painting by Gilda Temple

Digital release on the 16th of October 2026.

Track listing:

1: Easy sliding to opening
2: Sharpness groove
3: 75 joys
4: Ghost

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Friday, 9 October 2026

OUI092 : douBt / never pet a burning dog

 



OUI092: douBt / never pet a burning dog

With moods and registers ranging from heavy-rock riffs to cosmic grooves to more lyrical and pastoral flavors, douBt's debut release, Never Pet a Burning Dog, is amazing in its' intensity and magnitude. This new power electric jazz trio -- featuring Alex Maguire (Hatfield and the North; Elton Dean), Michel Delville (The Wrong Object, Machine Mass Trio) and Tony Bianco (Dave Liebman, Machine Mass Trio) -- combines the energy of rock, the spirit of free-jazz, and post-Canterbury Nu Jazz lyricism.This aggressive, ambitious record also features a special guest contribution from Canterbury legend Richard Sinclair [Caravan; Hatfield & The North; National Health; Phil Miller & In Cahoots (1982-84)] on vocals and bass. Aggressive and ambitious, this album packs a wallop -- especially if one considers that this CD consists exclusively of first takes recorded live in the studio!Despite being rooted in traditions that inspired the members' respective careers, Never Pet a Burning Dog is decidely contemporary and one of the most forward-looking electric jazz albums released in a long time. ... And, as one might expect, it sounds unlike anything before.


Originally released on Moonjune Records in 2010.
Alex Maguire: Fender Rhodes electric piano, Hammond organ, Mellotron, synthesizers
Michel Delville: electric guitar, Roland GR-09
Tony Bianco: drums
Special Guest:
Richard Sinclair: vocals (Tracks 1 & 5), electric bass (1, 2)
Recorded in August 2009 in San Sebastiano da P, Italy, at Beppe Crovella's Electromantic Studio.
Produced by douBt & Leonardo Pavkovic.
Executive Producer: Leonardo Pavkovic.

Digital release on the 9th of October 2026.

Track listing:

1: Corale Di San Luca
2: Laughter
3: Over Birkerot
4: Sea
5: Passing Cloud
6: Cosmic Surgery
7: Aeon
8: Beppe's Shelter

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