Thursday, 22 August 2013

ODG014 : Adriano Lanzi / You are never alone with the Lemurian Broadcasting Company



ODG014 : Adriano Lanzi / You are never alone with the Lemurian Broadcasting Company

In 2008 I had the luck to discover an Italian band called El Topo and to release their first and only album ( have a listen here: El Topo / Pigiama Psicoattivo ) and it is my pleasure to release now a solo effort by the main leader Adriano Lanzi ( bio ).
This composer- improviser, plays guitar, electronics and bass. He used to be half of the Lanzi & Sodano duo which released some tracks and later a full album (La Vita Perfetta, 2004) on the german Klangbad label run by Faust organist Hans-Joachim Irmler.
He founded El Topo, a contemporary jazz rock band with Sodano, Andrea Biondi, and  Francesco Mendolia. 
There was also a long collaboration (1996 -2003), live and studio, in a world music / afro-jazz project with Siriman Pape Kanouté who's the first musician to have promoted and popularized the kora (west-african harp/lute) in Italy.
From 2001 to now, Adriano has been playing frequent solo performances with live soundtracks to classic silent movies like Der Golem, Man with the Movie Camera, Nanook of The North, Sunrise, Nosferatu, Tabu, The Lodger, The Passion of Joan of Arc, October, a.o.
Occasionally, you will see him also on stage guesting with Welsh post-punk/ noise/ psychedelic band Ectogram and with progressive rock / improvised music veteran Geoff Leigh.

More collaborations: LE GRAND LUNAIRE (duo with oboist / thereminist Paolo Di Cioccio), Davide Piersanti, Tiziana Lo Conte, Recover Band, Le Borg.

What Adriano wrote me about his album:

"I polished out a number of tracks for my solo project. I must say it might turn to be a not-so-long album, some 39 minutes like in the old days.
Anyway it will consist of tracks made just with one instrument (a polyphonic synth, with arpeggiators, variously modulated) and there will be just one piece with external sounds too (a guitar drone, very "thin", and a processed drum loop from a jazz drum solo, from god knows where now). Nevertheless, even if I have set the loudness peaks at more or less the same level for all pieces, they are all rather different in terms of the "fatness" of sound and dynamic range. Some of them "pump" more (and continuously), others less, and they are meant to be like that because they are made of much more spacious and sparse layers of sounds. "




Digital release on the 2nd of September 2013.

Track listing:

1) Gotcha

2) Fontana

3) Leibniz

4) Little Robot Waltz

5) Lemurian Broadcasting Company

6) Complicazioni Tropicali III

7) Amniotica (a Philip K. Dick)

8) Dentro, un poco nervosamente

9) More Knobs to twirl

10) Formaggio poco americano

11) Un'altra strada



And on Bandcamp:

Wednesday, 26 June 2013

OPV007 : Les Boucles Absurdes / Boîtes à tartines



OPV007 : Les Boucles Absurdes / Boîtes à tartines

This is a story going back in 1982 when Pierre Vervloesem used to play with a band called Itza Uchen.
Jean-Pierre Jonckheere was the guitar player and since then never really stopped playing music and composing dozen of tracks at his own studio Zottecrolle.
In 2012 he finally selected 15 of them and asked different players to join him and add what was needed to finish them.
He gave the result to Pierre who added a little bit of everything everywhere and did the mixing and the mastering.
Pierre is happy now to release it on his P.V.Presents Series.
Digital and physical releases on the 5th of August 2013.

Les Boucles Absurdes are Jean-Pierre Jonckheere featuring:
Pierre Vervloesem: a little bit of everything everywhere
Valentine Garand, Isabelle Bats & Mariam Ben Ajiba: additional vocals and lyrics
Albert Marcoeur: loop
Morgan Ägren: additional drums
Serge Michiels: additional guitar

From United Mutations bogspot: here

" I mentioned this new album by Les Boucles Absurdes a bit over a month ago in a short newsflash. In the meantime, I've received the shiny disc and I have played it like crazy.
"Boîte à Tartines" ('Brooddoos' in Dutch, or 'Bread Box' in English) is collection of catchy melodies. All of the melodies and its variations are repeated in loops (Boucles = Loops). Performed on guitar, synthesizer and tuned percussion. Strange Music. I love it."


Here's what my friend Harry replied after he had given the album a listen:
"having listened to the entire "Boite a tartines" album - let me say, it's one of the craziest albums I have ever listended to in my entire life:-) But I love it -  it's funny, crazy and beautiful. Fuck - forget about the Residents, Arthur Barrow and Marcoeur influences I mentioned in my Email earlier - it's beyond categorization. I heard a lot of Marcour references throughout the album on various pieces, but not him participating on the piece he is mentioned - it's probably just a "boucle" - the ringtones he offers on his site and that's on my mobile...But I heard a lot of Trent Reznor influences on the album as well. Some songs reminded me of "How to destroy angels" - Trent Reznor's side project...Goddammit,  we fucking Germans try to analyse things over...Analyzing is - auf gut deutsch: für'n ARSCH!"




Track listing:

01. Purple Line
02. Dartagnan 
03. Crac
04. Pervertion
05. Pique-Nique
06. Boîte à tartines
07. Ballade pour un apprenti
08. Old complaining beast
09. Jazz de schiste ( Feat. Morgan Ägren )
10. Absurde Gunzor 
11. No place to learn ( Feat. Albert Marcoeur )
12. Foggy Morning
13. Ballade pour un expat
14. Date de péremption
15. La Petite Maison dans les cailloux ( only available on the digital release)



And on Bandcamp:





Price








Wednesday, 19 June 2013

ODG013 : Roedelius and Morgan Fisher / Live at Porgy and Bess - Vienna

Cover art by Kiekebiche


ODG013 : Roedelius and Morgan Fisher / Live at Porgy and Bess - Vienna

After the re release of the album Neverless on Off, this one sees finally the never released fantastic concert they gave at Porgy and Bess in 2005.

After the pleasurable experience of recording the "Neverless" album together "via email," between Roedelius' home near Vienna, and Morgan's longtime personal studio in Tokyo, they decided to meet in Vienna and continue the music, this time in real time. Morgan flew from Japan bearing a large suitcase packed with small and unusual keyboards, acoustic, analogue and digital, with devices that let him expand their tones into panoramic soundscapes. On October 30th, 2005, the two took to the stage and gave a memorable concert at one of Vienna's finest jazz clubs, Porgy and Bess. The performance was intuitive, exploratory, heartfelt improvisation - the keyboards, loops and percussion weaving intricate patterns that resonated between the alluring red walls of what had, years ago, been an erotic cinema, a wartime military headquarters, an art theater, and on this night, a temple of music.
www.morgan-fisher.com

The album will be released on the Digital only series on the 22th of July 2013.

Track listing:

1: Live at Porgy and Bess    47min



Tuesday, 14 May 2013

ODG012 : Roedelius and Morgan Fisher / Neverless


ODG012 : Roedelius and Morgan Fisher / Neverless

Hans-Joachim Roedelius has long been regarded as a subtle and contemplative pioneer of ambient music. It was inevitable that one day his path would cross with Morgan Fisher, who by the 21st century had reached a similar tranquil plateau of creativity, having moved far from his roots in 60's soul and rock music. The album was recorded "via emails" 
sending audio files back and forth between Roedelius' home near Vienna, and Morgan's longtime personal studio in Tokyo and was released originally in 2005. It's been sold out for more than 7 years now and it's my pleasure to re release it now on the Digital only series.
Out on the 1th of July 2013.

                                                                Morgan Fisher




                                                                                      Hans-Joachim Roedelius


Track Listing:


1. Always                 8:03
2. Whatelse              7:10
3. However                7:52
4. Inparticular          19:47
5. Wherefrom          15:14

Roedelius: Synthesizers, pre-prepared sound material.
Morgan Fisher: Sampler, variophon, clavinet, percussion, voice.
Fabio Capanni: Guitar Track 3.
Felix Jay: Guitar Track 4.

Composed/improvised by Roedelius/Fisher, except:
Track 3: Roedelius/Fisher/Capanni.
Track 4: Roedelius/Fisher/Jay.

Basic tracks recorded at Roedelius studio, Austria and The Handmade Studio, Tokyo.
Overdubbed and mixed by Morgan Fisher at The Handmade Studio, Tokyo, July 2002 to August 2003.

“Gold” photographs by Morgan Fisher. Cover by Kiekebiche
Photograph of Roedelius by Nadine Blanchard.
Photograph of Morgan Fisher by Virginie Aussedat.

Tuesday, 7 May 2013

ODG011 : SUTT / Hymne Til Hjemmet

Cover art by Kiekebiche


ODG011 : SUTT / Hymne Til Hjemmet

SUTT is a duo formed in Berlin in June 2012 by Sofie Trolde ( vox, sampler ) and Utku Tavil (drums, electronics). 

Influenced by numerous genres, but especially sample based and error music, the duo tries to explore the far out limits of two of the oldest ( if not the oldest two ) instruments, the voice and the percussions, with the use of the live or pre-recorded samples and their manipulation.
You can explore already their music here:  http://www.utkutavil.com/music/sutt/

Digital releases on the 22th of July 2013.

Track listing:

1 : Hymne Til Befrielse
2 : Interlude I
3 :  Før Hjem
4 : Interlude II
5 : Efter Hjem











And in Bandcamp:

Thursday, 11 April 2013

ODG010 : The Zoo Wheel / Ear Falls

Covert art by Kiekebiche

ODG010 : The Zoo Wheel / Ear Falls


This is the new Ep/mini album from Liz Payne and her solo project called The Zoo Wheel.
Charles Rumback (see also OCD005OCD009ODG009) is drumming on it. They first met playing music together as the rhythm section in Via Tania. Tania Bowers ( http://www.viatania.com/ ) is adding extra vocals while Josh Berman is playing cornet on it ( http://joshberman.net/ ).
All songs were written, performed and recorded at home and outside by Liz Payne in 2010.
The drums were recorded by Brian Bullard  who also did the mix and the mastering at Spank Music, in Chicago.

What Liz says about the project:
"Ear Falls is a collection of songs long in the making, and long in the aging. It was completed in 2010 after a period in which it suffered a few lengthy interruptions. As a result of this, many songs for the collection were created and subsequently scrapped, and for the songs that survived, many versions were created. For this collection I was trying to make songs which held a place for me; a figurative place in memory, and a literal marker of place by the use of my field recordings. Over the years many places and events came and disappeared; these songs stand for the places that stayed with me."  
                                                      
                                                           Charles and Liz


Liz Payne is a bass and guitar player and is most renowned for her tallented playing with those bands:
Everyoned, Joan Of Arc, Lake Wandawega Resort Band, Pillow, Town And Country


http://www.discogs.com/artist/Liz+Payne 


Here under a nice small video of Liz performing a version of High Honies, one of the track on the Ep.



This is a digital only release. It will be out on the 6th of May 2013

Track listing:


1: Meantime Tenderness     3:21
Drums – Charles Rumback
Fields – bell miner, Australia; train, Wisconsin; ice on window, Chicago

2: High Honies              7:14
Drums – Charles Rumback
Cornet tones – Josh Berman
Fields – crickets and boot, Wisconsin; skate park, Australia; katydids, North Carolina; bells, Australia

3:  Certain Illogical Remix          2:49
Fields – bell miner, Australia; ice on window, Chicago

4:    Tzero (For Diane)        6:42
Drums – Charles Rumback
Cornet tones – Josh Berman
Extra vocals – Tania Bowers

5: The Old Adage is True (For Dad)     2:24
Drums – Charles Rumback
Extra vocals – Tania Bowers




And on Bandcamp:

ODG009 : Meyer -Trim - Rumback / Look At Me, So I Can Get Close To You



ODG009 :  Meyer - Trim - Rumback / Look At Me, So I Can Get Close to You

Charles Rumback is best known to you and Off with the releases of the two fantastic albums from Colorlist ( see also OCD005OCD009 and ODG010).
In the beginning of 2013, beeing already busy playing with various bands, Andrew Trim started a new trio. 
This is what Charles says about it: " It is a trio consisting of Danny Meyer (tenor saxophone), Andrew Trim (guitar) and myself on drums...
The project happened because Danny and Andrew are old friends from Colorado. Andrew is living in Chicago now, and Danny in New York. But when Danny came through, they scheduled a recording session and asked me to play on it. I didn't quite know what to expect, but the music came out beautifully I think. So we've made a record out of it, and did 5 shows together... 3 in Chicago and 2 in Milwaukee. The music just happened naturally with no rehearsing. It just felt like we had played together for years. We're planning on keeping the group going and hopefully recording again later this year."
And this what Andrew says:
"Broadly, the record is the culmination of two individual musical relationships that I developed over the years - the first with Danny in Colorado and later with Charles in Chicago.
More directly, the record is our collective exploration of the immediacy of musical communication without rehearsal. Our goal in recording together was to cultivate our deep appreciation for strong melody, subtle textures, taking chances, all the while continuing our search for truth in the creative process.
All of the music by our slightly unconventional trio was recorded live with no overdubs by our friend and engineer Brian Sulpizio in one short session. The session began with our interpretations of six compositions by Danny and myself and concluded with the trio freely improvising pieces of various lengths.
To our surprise, our NYC based collaborator, Minor Ninths, asked if he could remix the title track upon hearing the record for the first time. The result was so cool that we asked to include it as a bonus track on the release. Glad we said yes.
We hope you enjoy the record!"

Here are some links to their individual websites:
http://www.danny-meyer.com/ 
http://www.charlesrumback.com/ 

Digital only release on the 10th of May 2013

The latest video of them performing Realm Devil:



Track listing:

1. What a Perfect Day to Smile
2. Children
3. Look At Me, So I Can Get Close to You
4. Realm Devil
5. Grown
6. A Bag in the Wind
7. Fines
8. Nimo
9. Alone, Waiting in Line
10. Orchid
11. Thom Told Them to Take the Train There
12. Boulder Goose
13. Look At Me, So I Can Get Close to You (Minor Ninths remix)



And on Bandcamp: