Friday, 28 February 2020

OMT008 : Big-T / The World Within Me



OMT008 : Big-T / The World Within Me

Thabang Montsho AKA BIG-T was born in the township of Mamelodi in the east of Pretoria.
His love for music started when he was 2 years old. It all started with his grandfather who was an opera singer and played the piano. He would always listen to him practice and start doing the same and that’s how it all began.

He started out as a street rapper and DJ and as time went by he found the sound that he was most comfortable with. His beats and music are a South African blend of Hip-Hop, Kwaito, RnB and House music while his flow is a mix of English, Tswana and Zulu.

He's currently compiling a single that will venture into the newly found Kasi genre called Amapiano and adding that into the mix.
Music is his life and he honestly can’t see himself doing anything else.

Here is his first EP with four powerful titles that represent perfectly the man and his music! Time to listen and enjoy!



Big-T

Cover for Mashonisa

Digital release on the 28th of February.

Track listing:

1: Mashonisa
2: Stele
3: Lapeng
4: Waya Waya



And in Bandcamp:

Friday, 21 February 2020

OVD031 : John Koenig 2020 / John Koenig 2020


Cover art by A.L. , pic by Pierre Vervloesem




OVD031 : John Koenig 2020 / John Koenig 2020

Released originally in 2010 (see OPV005), Pierre thought that it would be fun and exciting to re release a new version of the album John Koenig for its tenth anniversary! 
There you are with John Koenig 2020 completely remixed and remastered. 
It's more fun, more powerful, more modern...it's Caca 2020!!!

Original cover

Digital release on the 21th of February 2020.

Track listing:

1: Africans on the Moon 2020
2: Gallbladder 2020
3: Simple Rites 2020
4: Walkathon 2020
5: Rubber Life 2020
6: To Drive a Carrot 2020
7: Funambulism 2020
8: Zink Wheels 2020
9: War Games 2020

For an obscure reason, the album is not available on Itunes or Spotify, but you can listen to it and buy it on Pierre's Bandcamp page here:



or in all the other usual digital providers here:



And you can still buy the original cd here:



Price





Friday, 14 February 2020

OUW005 : Remo Zanin / Violence


Cover art by A.L.



OUW005 : Remo Zanin / Violence

Remo Zanin is a contemporary musician who does sound experimentation. 
In the past he collaborated with Enrico Vezzi creating sound installations in Italy and France.
In 2018 Christa and Remo recorded the album 'Violence' at home using a computer, some outboards for effects, and a phone app for the drum beat.
As for the lyrics, they used the cut up technique, cutting words from a contemporary art newspaper.
'Violence' is a lo-fi album made also as a tribute to staying at home, relaxing and creating music without pressure.
The mastering of the album was done by Mark Kramer who has also collaborated with Allen Ginsberg, Half Japanese and Daniel Johnston among others.


 Remo and Christa

Digital release on the 14th of February 2020.

Track listing:

1: Violence, Pt. 1 (Feat. Christa)
2: The Sky
3: Sorry! (Feat. Christa)
4: Dreamer
5: Four and a Half Years
6: Awake
7: Bubblegum
8: Job Hunting in Italy (Feat. Christa)




And on Bandcamp:

Thursday, 6 February 2020

OVD030 : Caca 2020 / Sketches of Pain


Covert art by A.L., pic by Pierre Vervloesem



OVD030 : Caca 2020 / Sketches of Pain

Released originally in 2010 (see ORT001), Pierre thought that it would be fun and exciting to re release a new version of the Album Sketches of Pain for its tenth anniversary! 
There you are with Caca 2020 completely remixed and remastered and with 3 bonus tracks never released on the first version. 
It's more fun, more powerful, more modern...it's Caca 2020!!!

The band Caca in 2010!

And the original text of the release then:

"Caca is the new band of Pierre Vervloesem.
This new megalo delirious adventure is based on second degree, starting by the name of the band which, quoting Pierre, has nothing to do with scatology.
Here, he renews his taste for big formations like he did with X-Legged Saly or still does with Flat Earth Society.
With Caca, he signs a very interesting parody of Jazz working with two noisy quartets.
The first one being guitar, bass, drums and keyboard while the second being alto, tenor, baritone and bass saxes.
The composing is without concession, like a rock, sometime out of tune, but ultimately ultra melodic and reaching at times some of the best John Barry ambiances.
Most of the musicians on the album (and live) are coming from the Jazz scene, which is also kind of fun for Pierre.
The music is an heritage from the New-york scene from the 70-80ties but has an instant modern echo which makes you want to move your frets on it!"

Original cover

Digital release on the 6th of February 2020.

Track listing:

1: Exposé 2020
2: Brajil 2020
3: Nancy 2020
4: Twist 2020
5: Blue 2020 - Bonus track
6: Sweet 2020
7: Dick Dogs 2020 - Bonus track
8: Strav 2020
9: Abracadabra 2020
10: Jelly 2020
11: Johnny 2020 - Bonus track
12: Wobbling 2020
13: Zgrol 2020
14: Koyaanisqaqatsi 2020

For an obscure reason, the album is not available on Itunes or Spotify, but you can listen to it and buy it on Pierre's Bandcamp page here:



Or in all the other usual digital providers here:



And you can still buy the original cd here:


Price

Saturday, 1 February 2020

A Spotify playlist dedicated to Pierre Vervloesem!

Here you are: Pierre Vervloesem - Artiste, un point c'est tout! a dedicated Spotify playlist with some of the songs in solo or in bands! Subscribe, it's free and it's fun!



Friday, 31 January 2020

ODG118 : Ensamble Desmembrado / Cuarenta y Ocho Azotes


Cover art by Gustavo Madrid



ODG118 : Ensamble Desmembrado / Cuarenta y Ocho Azotes 



Static tribal mantra of deafening delicacy and tearing mercy 

On this new project, Gustavo Madrid decided to mutate one more time and use a new disguise. 
Once it was Mutantes Melancólicos (see the mysterious and powerful ODG034), then NO:ID., after that Madrid Solo and now it is Ensamble Desmembrado. 

Even if he created the whole album by himself, alone in his studio with no collaborators at all, this piece of music could have been a collective creation for its complexity and duration. Contrary to the principles used on previous projects, he decided to use the maxim “more is further more”. This can be appreciated not only on the quantity of the piece`s arrangements but also on the variety of instruments and sounds that are unfolded throughout the 48 minutes of this work`s length. 
He started to work on this conceptual album in 2015 using a guitar arpeggio as starting point. He added sound passages taken off improvisations and layered them on top of diverse sound samples and loops giving shape to the cinematic feel of this new piece of music. In-between extended instrumental parts he included a song that he`d written in his Sherbrooke Est apartment in Ville-Marie, Montréal, Québec, Canada, sometime during 2004. 
For the period of the 4 years that lasted the conception of the piece, Madrid`s interests and influences took diverse and new paths allowing unexpected variations and fruitful sources of inspiration to give place to the coexistence and marriage of ambient passages à la William Basinski and the neo-psychedelia of the Legendary Pink Dots, of “field recordings” 
and Jacques Brel`s chanson, of Black Heart Procession`s gloom and Jon Hassell`s “Fourth World”, to ally minimalism and “World Music” adding electronic manipulation to certain sound elements looking forward to creating a new kind of noise expression. 

Gustavo


Composed, performed, edited, produced and recorded at El Rosario from 2015 to 2018 by Gustavo Madrid. 

Digital release on the 31st of January 2020.

Track listing:

1: Cuarenta y Ocho Azotes - Intro
2: Cuarenta y Ocho Azotes - Outro
3: Azote - Song



And on Bandcamp:

Friday, 24 January 2020

OUW004 - OJP041 : Evoke / No Directions


Cover art by Masahito Hiranuma - Pic by Yukiko Hiranuma




OUW004 - OJP041 : Evoke / No Directions

'Evoke': Poetry reading, so to say, or poetry accompanied by music? 
No, this album is a rich flow of beauty, an atmosphere of words and voice and music and sound, as a whole. 
The electro ambience, noise/silence, the crisp and sophistication of sound effects are created by Wataru Iwata.
Yukiko Hiranuma generates her scenes of poetry, her voice full of life and charm, sometimes like a monologue, or a spirit in speech.
The emotion and spirit of each poem co-exist and fuse with the futuristic electro ambience where one can even notice some melodies of classical taste. 
Deep somewhat dark but lighthearted, pure and cruel ...and touching, is this album of 8 pieces “no direction”.

Wataru Iwata (see also OJP038 and OJP039) :
He grew up and learned music in the field of free jazz in New-York. Plays in duos, trios etc. as a pianist but his activities are in various fields, from classical music to electro ambient, composing, playing and producing, painting, creating video artworks. Now planning and launching some Trans disciplinary art projects.


Wataru


Yukiko Hiranuma :
I read, I write. I read aloud.
I turn my thoughts, my joy and sorrow, my spirit into poetry. I love to put my words into syllables, into dialogues, into scenes by my voice.
They come deep down from my heart.


Yukiko

Both musicians have extended YouTube channels that give an excellent idea of them in various bands and actions : Yukiko's one and Wataru here and here.

Digital release on the 24th of January 2020.

Track listing:

1: Rayure d'or
2: The Warm Winter Rain (feat. DJ Kou)
3: No North, No South
4: Alpha et omega (feat. Kiyohito Yamada)
5: Lullaby
6: Walk with Me: Fulfilling Moon
7: Current 2016
8: Ambient Noiz (feat. Kiyohito Yamada)



And on Bandcamp: