Friday, 7 March 2025

OUI049 : Háromlábú / Helix

 

Cover art by Chantal Meng


OUI049 : Háromlábú / Helix

'Helix' is the debut album of Háromlábú and revolves around the constant spiral that shapes the album’s core. Háromlábú explores its extremes within a narrative that seeks balance between opposites: open/closed, wide/narrow, refined/raw, smooth/rough… Inspiration comes from various sources: Fly Trio, Mark Helias’ Open Loose, Thomas Strønen, Ben Sluijs, Olivier Messiaen, Erwin Schulhoff, Claude Debussy… but also from fascinations such as the rhythm of spoken language and the spatiality of sound.

Háromlábú consists of Adia Vanheerentals (saxophone), Adriaan Campo (double bass), and Juri Jansen (drums). A versatile improviser, a classical double bassist, and an architect come together to create music that unites them while intentionally pushing their boundaries. Somewhere at the intersection of their different worlds, a distinctive sound and unique identity emerge, unconstrained by genre.

The album was recorded in January 2024 by Koen Gisen at Studio La Patrie (Ghent) and mastered by Karel De Backer.



Adriaan Campo:


Adriaan Campo wears many hats. With degrees in classical bass, but also in engineering, he currently conducts research at LUCA School of Arts and the Institute of Psychoacoustics and Electronic Music at Ghent University. His research explores the interplay between motor learning, musical performance, and health. Initially drawn to classical music, Adriaan fell in love with the rich and ever-evolving narrative of jazz while living in New York. His diverse background and musical foundation shape his playing and compositions, which blend elements of classical music, bebop, and scientific insight.

 Juri Jansen:


Juri Jansen (°1989) has been active as a drummer and composer since 2003 in an eclectic range of musical and (music) theater projects. His work often resides at the intersection of styles: psychedelic rock, IDM with hybrid drums, spoken word, (music) theater, traditional and contemporary jazz, electro-acoustic improvisation, and sleep concerts.

Juri’s development as an architect relates to his evolution as a musician. Increasingly, his focus as a musician shifts towards improvisation and the spatiality of sound. Context—whether spatial or socio-psychological—is a central theme in his work. Additionally, his compositions originate from specific fascinations and take the form of a kind of design research. These unconventional compositions are visual, providing structure, direction, and space for improvisation.

Adia Vanheerentals:


Adia Vanheerentals works as a saxophonist in diverse contexts. In recent years, she formed the jazz/improv bands Bodem, Waarlijk, and Vanheerentals/Beeckaert/Lasure. With Bodem, she is preparing to release a second album, followed by a tour through Flanders and Brussels. She also performs in the dance production Change of Plans by Femke Gyselinck and collaborates as a sidewoman in bands such as Klinck Trio, Fanfaar Fatal, Jazz Ellendelingen, and the Anaïs Vijgen Quintet. Recently, Adia has been exploring solo improvisation, combining playful melodies with calm, meditative breathing, as featured on her album Here are 5 reasons to meditate, released by Ultra Eczema.

Digital release on the 7th of January.

Track listing:

1: Prelude II
2: Moyenne
3: Interlude
4: Untitled #2
5: Shaant
6: Talk
7: Trochee
8: Bop
9: Lofzang
10: Sisu
11: Stella

Itunes,Spotify, etc.:


And on Bandcamp:

Monday, 3 March 2025

ODG210 : Fleur de Feu / Weep

 

Cover art by Nicole Boitos


ODG210 : Fleur de Feu / Weep

Fleur de Feu offers an intense, spiritual journey of epic proportions that spans a wide breadth of psychoscopic sounds. An array of traditional instrumentation conveys meditative explorations of the divine, while remaining grounded in its core message – the cyclical nature of life. In its presentation of expansive soundscapes cut with soaring, celestial vocals, it’s an album of not just personal introspection, but universal. 

The music of Fleur de Feu is a soothing, esoteric mix of guitar loops and primal rhythms layered with soft and spoken vocals, accompanied by the spacious guitars of Teuk Henri, the melancholic cello melodies by Matthieu Safatly, synths by Raphaël Rastelli, and James De Backer’s haunting lapsteel guitar. The percussion created by multi-instrumentalist Déhà brings the audience into a dream-like state which enables them to leave linear time in favour of “the sacred, non-linear time”.

Special guest Jacopo Andreini (Al Mustaqil, L'Enfance Rouge...) plays yayli tambur on How Shall I Begin My Song?  

Fleur de Feu was conceived of, and curated by Dominique Van Cappellen-Waldock, whose British grandfather was a member of the Ancient Order of Druids.

Dominique is the founding member of belgian post-punk band Baby Fire. 

The collective's debut album was released in 2022 via One Little Independent avant-garde subsidiary Caliban Sounds, recently launched by punk pioneer Penny Rimbaud of Crass. 

Weep, Fleur de Feu’s second album, was chiefly inspired by writings by Owl woman, a Cheyenne medicine woman who lived in the US in the 19th century. The album is a tribute to our ancestors, including a homage to Dominique’s father who passed away in 2023.

My hand:


Dominique Van Cappellen-Waldock: guitar loops, voice 
Déhà: production, guitar, bass, percussion, synth 
Teuk Henri: guitar 
Alinovsky: percussions 
Raphaël Rastelli: guitar, synth 
Matthieu Safatly: cello on In the Great Night and My Hand 
James De Backer: lapsteel on My Hand and White Feathers 
Jacopo Andreini: yaylı tambur on How Shall I Begin My Song? 

Recorded, mixed and mastered by Déhà at Opus Magnum Studio, Brussels, 2023-2024. 

Artwork by Nicole Boitos Hayworth.

Some of the members: Dominique, Déhà, Teuk and Brute

Digital release on the 4th of March.

Track listing:

1: How Shall I Begin My Song? 
2: In the Great Night
3: Weep
4: My Hand
5: Mother
6: White Feathers

Itunes, Spotify, etc.:


And on Bandcamp: