Friday, 6 February 2026

ODG235 : Un vrai semblant / Amorces, Traces

 


Cover art by Nicolas Merchant


ODG235 : Un vrai semblant / Amorces, Traces

A new album from Un vrai semblant (see also ODG192 and ODG201) is always an introspection in a new world of his own. 

Perfect electronics, field recordings and ambient vibes in perfectly arranged compositions. You need a few listenings to really enjoy the perplexity of his music but once you're in, you will never be out!

Digital release on the 6th of February 2026.

Track listing:

1: Emergence
2: Suspendu
3: Viens voir dehors
4: Premier message
5: Enveloppement
6: Traces
7: Rencontrer

Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Friday, 30 January 2026

ODG232 : Arash Azadi / Eerie

 


Cover art by Hasmik Badoyan


ODG232 : Arash Azadi / Eerie

“Eerie” is the new album from Arash Azadi, composed during the Autumn of 2025 in Yerevan, Armenia.

Here is his artist statement:

"Eerie is the record of a compositional loop between human intuition and algorithmic transformation. I begin each piece with free improvisations on digital piano—gestures, harmonies, and micro-rhythms that emerge from embodied practice. I then re-enter this material through AI systems using my own text-scores: prompts that specify instrumentation, style, genre, and form. The machine’s outputs are not endpoints but raw matter. I subject them to electro-acoustic procedures—slicing, re-arrangement, time-stretching, granulation, and other techniques from the lineage of musique concrète—until a new organism appears.

The resulting works move along a porous border where avant-garde construction meets popular idioms. You will hear collisions and fusions with EDM, hip-hop, trap, djent, and metal—not as pastiche, but as a deliberate grammar for contact. My question throughout has been: how might we carry the formal and timbral experiments of the avant-garde toward listeners who recognize themselves in more familiar soundworlds? Eerie proposes a vocabulary in which extended techniques, dissonant harmonies, and acousmatic textures converse naturally with beat-driven architectures.

My stance toward AI is instrumental, not devotional. Technology, used with care, can extend the radius of human attention and imagination; used carelessly, it can flatten them. I treat AI as an esoteric tool in the original sense—an instrument for inward inquiry as much as outward effect. By redirecting the systems with my own materials and constraints, I seek access to a wider field of the musical collective subconscious: patterns we half-remember, affects we haven’t yet named.

The “eerie” in this music is not horror for its own sake, but a productive uncanniness—the feeling of moving between the known and the unknown, of returning changed. Each piece traces that passage: from improvisation to algorithmic mediation, from opaque texture to shared pulse, from private intuition to public address. If the music occasionally feels like a dream that suddenly clicks into focus, that is by design; it aims to stage recognition without surrendering ambiguity.

Eerie is therefore both experiment and invitation. It argues that avant-garde practice can be legible without compromise, that complexity can meet immediacy, and that new tools need not sever us from human stakes. I hope the album helps loosen the bottleneck between experimental music and broader publics—bypassing academic gatekeeping where necessary—so that our common listening can expand alongside our means of making."

Enjoy this incroyable journey!

Digital release on the 30th of January 2026.

Track listing:

1: Experiments in Eerie Fantasy No. 1
2: Paradigm Shift
3: Poetics of Otherness
4: Short Story Long
5: Homeland Be Free and Prosperous
6: Right This Hour

Itunes, Apple Music, Deezer, Qobuz, Etc.:


And on Bandcamp:

Friday, 23 January 2026

OUW027 : Danny Barwick feat. Juliette Duguay / Seen

 


Cover art by Danny Barwick


OUW027: Danny Barwick feat. Juliette Duguay / Seen

For the past two years I’ve been living in Montréal, where I met Québécois writer Juliette Duguay. During that time, she spent six months creating adult content, promoting it through an anonymous Instagram account of faceless nudes. She regularly received DMs ranging from pleading to aggressive, tender to absurd. Struck by their tone, she began arranging them into poems, using each message verbatim.

Together, the poems form seven voices: different men reaching out into the void, their messages unanswered except by the notification ‘Seen.’

In Juliette’s home, in the depths of a Montréal winter, I recorded her reading these poems into a Torso S4, a new sound manipulation instrument from Copenhagen, and looped them with long-form live piano improvisations.

The result is a haunting sonic space of collaged voices, dissolving loops, and blurred emotion in which longing mutates into something stranger and more revealing.Seen is a naked and unfiltered portrait of male desire, digital loneliness, fantasy, delusion and hope.

Danny Barwick: Production and Mix
Juliette Duguay: Lyrics and Spoken Word
Julien Wilson: Clarinet and Saxophone
Gareth Thomson: Mastering

  1. “The kind of original record that we wait years for major label pop stars to release.” - Indie Shuffle

    “Danny Barwick is right up there amongst Australia’s best producers.” - Tommy Faith,Triple J

    “It stuns every cell and takes the mind millions of realms away.” - Cloudberry Mornings

  2.  

Danny

Danny Barwick is a producer and composer from Melbourne, Australia, creating heartfelt, textural music that blurs the line between song and cinema. A jazz-trained drummer and pianist with a background in philosophy, Barwick’s work balances precision with emotional depth, creating spacious, intimate, and vividly human sonic worlds.

After years touring as a sideman, he began releasing his own music in 2017 with a series of remixes that reached over five million streams. His debut EP, Distance, followed soon after, earning national radio rotation, a support tour with revered Australian artist, Gordi, and slots at boutique festivals along Australia’s east coast.

Subsequent releases, The Tigers, Naddi, and Iluka, pushed his sound further into experimental songwriting and textural production, weaving jazz sensibility through minimalist electronica and narrative storytelling.

Digital release on the 23rd of January 2026.

Track listing:

1: I'll Be Honest
2: Your Things
3: Hello Dear
4: Rosary
5: If You'd Be Willing
6: I'm Not a Kid
7: Can You Come to Me

Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Friday, 16 January 2026

ODG234 : Akira Film Script / Live in San Francisco, September 12th, 2025

 


Cover art by Akira Film Script


ODG234 : Akira Film Script / Live in San Francisco, September 12th, 2025

All songs performed live at Music City Star Factory, San Francisco as a part of the inaugural MAGWest Level UP event.

Featuring new and yet-to-be-released material from Mabui Music, Green Chair Music, reset networks, Whitelabrecs and Off Record Label.

Performance recorded direct from the house board to Zoom H5.

Akira previous albums on Off: ODG214 and ODG230.

Digital release on the 16th of January 2026.

Track listing:

1: Not Enough (Live in San Francisco)
2: The Day of Night (Live in San Francisco)
3: N (Live in San Francisco)
4: Promenade (Live in San Francisco)
5: 152 I5 Hardware (Live in San Francisco)
6: Aught To (Live in San Francisco)

Itunes, Apple music, Deezer, etc.:


And on Bandcamp: