Friday, 5 June 2026

ODG241-OUI078 : OdNu & the Omnibus Orchestra / No Jazz Singularity

 

Cover art by A.L.


ODG241 : OdNu & the Omnibus Orchestra / No Jazz Singularity

Alinovsky says:

"A few months back I saw OdNu performing some improvised guitars numbers on his Instagram and as I was so happy by our previous collaborations, I asked him to choose a few and he ended up emailing 12 tracks.

Listening to them and after some exchanges with OdNu who wanted an 'ambient jazz whatever album', I had this idea to ask some of my favorite musicians from the label to pick the tracks they liked and improvise on them.

I emailed a skeleton with basic rhythms but they were free to not use them.
After collecting all the tracks I started to edit, add my parts and do a general mix.

When finishing it I choose to keep the alternate takes and mixes as they bring a very different mood to the original ones.

The album is very far from 'Jazz' therefore the title but we really gave it a try!

A massive thank you to OdNu for letting me twist his original tunes and  to all the world musicians involved.

Hope you will enjoy the result.

The Omnibus Orchestra is born, lets have more fun in the future..."

OdNu (US): guitars, compostions, all tracks

The Omnibus Orchestra:
Alinovsky (Belgium): Keys, percussions, editing, mixes, all tracks
Akira Film Script (US): keys and electronics, tracks 1/2/3/4/6/7/9/10/11/12
Tetsuroh Konishi (Japan): trumpet, tracks 2 (center), 3, 4 (right),7, 10, 11 (center), 12 (left + right). 
Nick Calligeros (Australia): trumpet, tracks 1, 2 (left + right), 4 (left), 11 ( left + right), 12 (center), 13/16/18
Chiara Bacci (Italy): voices, electronics, tracks 7/15/17
Lydie Thonnard (Belgium): flutes, tracks 4/14

Mastering by Pierre Vervloesem

Digital release on the 5th of June 2026.

Track listing:

1. A rare Wildflower
2. Bluring the Line
3. Composite Being
4. End to End
5. Flightless Birds - short version
6: Flightless Birds
7: Mirror of the Mind
8: Mnemonic
9: Psithurism
10: Shimmering Quilt
11: The Water in your Cells
12: Unshaken in your Aloneness
13: Bluring the Line - Alternate take with Nick
14: End to End - Alternate take with Lydie
15: Mirror of the Mind - Alternate mix with Tetsuroh and Chiara
16: End to End - Alternate take with Nick
17: Psithurism - Alternate take with Chiara
18: A rare Wildflower - Alternate mix with Nick

Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Monday, 1 June 2026

ODG243 : music for hiccups / songs from the ground

 



ODG243 : music for hiccups / songs from the ground

music for hiccups is a duo composed of Brussels-based musicians Chiara Bacci and Nicola Lancerotti.

The improvised music they create centers around a continuous dialogue between modified voice and modular synthesizers. In their performances, the roles they play are intentionally left undefined: sometimes the voice can become an abstract disturbing sound, while modular synths can create melodic textures and often they are intertwined in a manner that blurs the lines between them.

Nicola Lancerotti: Modulars, electronics
Chiara Bacci: voices, effects, electronics

Chiara Bacci is a Brussels-based singer and composer. Her way of using the voice combined with electronics plays a fundamental role in her practice as it allows her to develop an idea of vocality which is no longer necessarily anchored to its traditional function, as she passes nimbly from being a storyteller to a source of abstract sounds.

Nicola and Chiara - pic by Peter Leyssens

When not playing his modulars with Chiara, Nicola Lancerotti is a double bass and composer mainly playing and recording jazz either with various bands or leading his own group.

Digital release on the 1st of June 2026. 

Track listing:

1: to charm a moth
2: choirs and church bells
3: swarms
4: we call this a song
5: a bubbly litany

Apple music, Itunes, Deezer, etc.:


And on Bandcamp:

Friday, 29 May 2026

OUI076 : Elton Dean & The Wrong Object / The Unbelievable Truth

 



OUI076 : Elton Dean & The Wrong Object / The Unbelievable Truth

A sizzling session recorded live in Paris in October of 2005 (less than four months before Elton Dean's untimely passing), The Unbelievable Truth demonstrates the remarkable breadth of the late British saxophonist's reach. The repertoire highlights the range of his compositional skills, as well as The Wrong Object's equally-diverse writing and freewheeling improvisational abilities. From quirky Zappa-esque complexity to ominous material reminiscent of Dean's 1970s tenure with Soft Machine (and even a hint of swing), The Unbelievable Truth documents how Dean remained a vital musical force to the very end.This disc features some fine playing by all, as the group performs some of their brilliant, quirky originals -- as well as rendering versions of some of Elton's best-loved tunes. Included are Elton Dean's old signature piece "Seven For Lee", the classic "Basho" (from what many consider his finest album, 1980's Boundaries), and the more recent "Baker's Treat". This is an incredibly fresh, vibrant performance, and one of Elton Dean's very last.A classic, timeless performance by a true progressive music legend; a deep communication between some great musicians.

Originally released on Moonjune in 2007.

ELTON DEAN: saxello, alto sax
LAURENT DELCHAMBRE: drums, assorted percussion
FRED DELPLANCQ: tenor sax
MICHEL DELVILLE: guitar, voice
JEAN-PAUL ESTIEVENART: trumpet
DAMIEN POLARD: bass, electronics

Recorded live in Paris, France at Glaz’Art, on October 18, 2005.
Mastered by Bastien Gilson, Brussels, Belgium, in June of 2006.
All tracks are copyrighted by The Wrong Object & MoonJune Records.
Executive Producer: Leonardo Pavkovic



Digital release on the 29th of May 2026.

Track listing:

1: Seven for Lee
2: Millenium Jumble
3: Baker's Treat
4: The Unbelievable Truth
5: A Cannery Catastrophy
6: Cunnimingus Redux
7: The Basho Variations
8: Baker's Treat, live at Le Triton 2006 - Bandcamp only Bonus track

Apple Music, Itunes, Deezer, etc.:


And on Bandcamp:

Friday, 22 May 2026

ODG240 : Akira Film Script / Bidirectional Dissociations

 


Cover art by Ryan Watts


ODG240: Akira Film Script / Bidirectional Dissociations

Akira Film Script 'Bidirectional Dissociations' is an album about trauma dissociations, and the chemistry behind the molecular split that produces mental health states like PTSD, depression, and sleep-related issues as mental protections, and not viewed as society does, with them being considered undesirable in the larger social fabric.

Written alongside the 'Bidirectional Associations' album that explores themes of life and death (due out later this year), 'Bidirectional Dissociations' explores our disconnect (as a way to serve and protect us) from external factors on our bidirectionally associated life journey.

Many look at life as a one-way street (especially when viewed under the premise of time being a consistent, ever-forward-moving constant), however, it's a continuous series of cycles with bidirectional associations that keep us tapped into ourselves, and our place in the universe, outside of the 5 main senses - and our mind is powerful enough to split molecules to create recessive states to physically warn or protect us of incoming, or currently happening, external harms.

'Bidirectional Dissociations', much like its sister album, 'Bidirectional Associations' is an electronic ambient album rooted in jazz ideas and modal chord structures, all presented using classic Detroit Techno sounds in a modern ambient presentation.



Digital release on the 21st of May 2026.

Track listing:

1: A Closure (Of Sorts)
2: In All Actually, It's You
3: Of It
4: Ramona
5: 625
6: El Palo Alto
7: 278
8: Asian Conversations

Apple Music, Itunes, Deezer, etc.:


And on Bandcamp:

Friday, 15 May 2026

OUI075 : Daniele Morelli / Sentieri

 

Cover art by Daniele Morelli


OUI075: Daniele Morelli / Sentieri

Daniele says:

'Sentieri” is an introspective album that explores the many stages of life’s journey. Through each track, I aimed to capture moments of change, growth, and reflection.

The chameleon embodies the passage of life itself — constantly shifting, adapting, and redefining its identity. Just like us, it moves through different environments, never fixed, always becoming.

My friends on this journey — Tommaso Iacoviello, Federico Bertelli, Fabio Di Tanno, and Abraham López Calderón — truly connected with the music, interpreting it with depth, intuition, and extraordinary musicality.'

Daniele Morelli:

Daniele morelli is an Italian jazz guitarist who spends his time mostly in Mexico where he plays a lot with various formations from solo to quartet. 
He composed and released already 5 albums on Off.

When not in Mexico he spends his time in his beloved Toscana or play live in a lot of different European cities with always different formations. 

Abraham López Calderón:

Abraham López Calderón drummer is originally from SanCristóbal de las Casas, Chiapas. He studied drums inMexico City at the DIM music school with teachers such as Beto Díaz, Hernán Hetch, Gabriel Puentes, among others. 

He has developed his drumming within jazz, rock and pop, playing in numerous festivals inside and outside Mexico. He has participated in more than 20 musical productions, such as the album "la metamorfosis » by the pop singer Reyli Barba which was nominated for the Latin Grammy 2020 and for whom he has been drumming since 2016.

Tommaso Iacoviello:

Tommaso Iacoviello was born in Cecina (Livorno) on July 16, 1991. He graduated in 2009 with a degree in trumpet from the "Pietro Mascagni" Institute of Musical Studies in Livorno and in October 2016 he earned a Bachelor's Degree in Jazz Trumpet from the Siena Jazz Foundation.

From 2007 he started to perform with numerous orchestras, bands and toured extensively with those and still is buzzy touring 

Fabio Di Tanno:

Bassist, composer and arranger Fabio Di Tanno is a versatile musician with over twenty years of professional experience. His artistic identity seamlessly bridges the gap between the rigor of classical music and the freedom of jazz improvisation, extending into modern sounds such as funk, prog, and electronics.

Federico Bertelli:

Born in the outskirts of Pisa, he has been playing diatonic harmonica since 1987 and gained experience in several blues bands. Few years later he collaborated with the Blues Harbour, Michael Coleman, Nick Becattini & The Serious Fun.

Digital release on the 15th of May 2026.

Track listing:

1. Té negro
2. L'Aruspice
3. Perso in un sogno
4. Tsikuaki
5. Cinco petalos 
6. Onde
7. Moodscape 
8. El beso del agave 
9. Tra i silenzi  
10. La ruota della memoria 
11. Suspiros
12. Cambiaventi
13. Bosque de niebla 
14. Sentieri  

Apple Music, tunes, Deezer, etc./


And on Bandcamp:

Friday, 8 May 2026

OUI073 : Laurence Cousseau Quintet / Les Groseilles de Novembre

 


Cover art by Cécile Nierenberger


OUI073: Laurence Cousseau Quintet / Les Groseilles de Novembre

Les Groseilles de Novembre, the debut album of the quintet, is framed within an aesthetic of magical realism, at the boundary between the tangible and the dreamlike. Inspired by the eponymous book by Andrus Kivirähk, the project explores themes of transition and memory, inscribed in bodies, landscapes, and traditions. The quintet draws from these in-between spaces a narrative material full of poetry, which structures forms, improvisation, rhythms, and sonic textures.

The group’s distinctive sound notably relies on the combination of alto flute and bass clarinet. Jazz energy (Eric Dolphy, Charles Mingus) meets colors of modern music (Olivier Messiaen) and language from contemporary jazz (Magic Malik, Pierre Van Dormael, Bo Van der Werf). The result is a sonic experience where tension and release, mystery and playfulness, fragility and raw beauty converge.

Laurence Cousseau: alto flute, composition
Luis Miguel Aguilar: bass clarinet
Joseph Nowell: piano, FX
Emanuel Van Mieghem: double bass
Pierre Ferrand: drums

Emanuel, Pierre, Laurence, Joseph and Luis Miguel

Laurence Cousseau:

Trained in jazz from childhood on the drums (Collège de Marciac, France), Laurence Cousseau first pursued a scientific path, earning a doctorate on the social behavior of birds. Discovering the alto flute at 24 marked a decisive turning point, leading her to the Royal Conservatory of Brussels  where she obtained her bachelor’s degree in 2023 and presented her final master recital with the highest distinction in 2025.

Her musical universe sits at the crossroads of jazz and contemporary languages, explored within ensembles where diverse colors and musical traditions meet. In 2024, she founded a quintet around her own compositions, alongside Luis Miguel Aguilar, Joseph Nowell, Emanuel Van Mieghem, and Pierre Ferrand.

Active on the Belgian scene, she regularly performs in clubs and at festivals such as the Brussels Jazz Weekend, and internationally, including a 2026 tour in Réunion with the group Nacelle, presenting a repertoire blending spiritual jazz and local influences.

Her dual artistic and scientific background also fuels an interdisciplinary research project on the links between musical improvisation and social organization in animals.

Joseph Nowell:

Born in England in 1994, half Italian. He started playing piano when he was 4 and studied at Pimlico Academy, London, with trips and concerts in Paris and Prague. At the age of 14 he moved to Siena (Italy), winning the third prize in the “G. Burrini” classical music competition a year later. I followed studying jazz at various places and with various teachers, participating in a lot of workshops.

He is the leader of a trio which has released an album on Off.

Emanuel Van Mieghem: 

Double bass, Composer, Music Teacher born in Brussels (Belgium) on January 6, 1994, Emanuel Van Mieghem started playing the bass at the age of 15.

Emanuel has become a highly in demand double bass player in the jazz and avant-garde music scene of Brussels. He collaborates with a new generation of talented musicians such as Roeland Celis, Umberto Odone, Diogo Alexandre, Hyiung Jin Ee, Nicolas Van Belle, Joseph Nowell, Gaspard Six, Stan Maris, Yarno Hoedemakers, and many more.

He has also performed with established musicians such as Erik Vermeulen, Frans Van Isacker, Erik Bogaerts, Toine Thys, Daniel Stokart, Lieven Venken, and Free Desmyter.

He has released an album on Off with his band Mojo Jojo.

Pierre Ferrand:

Pierre is a drummer and percussionist based in Brussels. He first studied at the Conservatory of Chambéry, then in Lyon, and completed a Master’s degree in Brussels under the guidance of Stéphane Galland. He now performs in the world of jazz and its many related genres.

Luis Miguel Aguilar:

He is engaged with a wide range of musical languages and traditions, cultivating versatility and a cross-disciplinary approach. Initially trained as a classical musician, he performed with the Youth Orchestra of Andalusia, the Barenboim-Said Academy, and the European Union Youth Wind Orchestra. Today, he is involved in various bands.


Digital and physical release on the 8th of May 2026.

Track listing:

1: Terre de Sienne
2: Forêt de Nuages à l'Aube
3: Danube
4: Le Roi des Aulnes
5: Les Voussures du Tympan

Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Monday, 4 May 2026

OUI077: Daniele Morelli / Té negro

 


Cover art by Daniele Morelli


OUI077: Daniele Morelli / Té negro

'Té negro' is the first single from the forthcoming new album 'Sentieri' which will be released on the 15th of May 2006.

A journey between life, death, and the memories we leave behind.
Step into the unknown.

Daniele Morelli: guitars, composition
Tommaso Iacoviello: trumpet
Fabio Di Tanno: double bass,
Abraham López Calderon: drums



Digital release on the 4th of May 2026.

Track listing:

1: Té negro

Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Monday, 20 April 2026

ODG238 : EyeSkreem / EyeSkreem - Vol.III

 



ODG238 : EyeSkreem / EyeSkreem - Vol.III

EyeSkreem sees the third union between avant-garde experimentalist Andrew Leslie Hooker on No-imput mixing board and Russ Grant on guitar for their follow-up Vol.III.

They offer us 3 powerful tracks which bring you to a certain state of (un)consciousness.
To listen at full volume to interact the best with the music.

Both of them were/are extremely involved in experimental improvised music having played with a huge amount of musicians from that scene since the early nineties in the UK.

Andrew Leslie Hooker - no-input mixing board & various boxes
Russ Grant - electric guitar & various boxes

See Vol.I for all the details of this trilogy.

Digital release on the 1st of May 2026.

Track listing:

1: C1 - I Have Met Them At Close Of Day Coming With Vivid Faces
2: C2 - Brittle With Relics
3: C3 - Bloodied Shavings Of Deteriorating Time

Vol III Collected Stories - by Russ Grant 

C1. I Have Met Them At Close Of Day Coming With Vivid Faces

Oh how we now sing the body mechanical Everybody was Kung Fu dancing
The sun sank sharply
Old Man Whiskey Horse hugged his granddaughter and left the rowdy Red Lion behind.

The kebab shop was empty.
He sat alone by the river enjoying falafel in pitta On the opposite bank familiar skeletons erupted Ghosts waved and blew him kisses
He remembered loves and friendships
A passing tabby cat miaowed
and that was that. 

CII. Brittle with Relics

‘Brittle Bob’ hobbled down the hill, hiding an LP under his Jerkin. Two teenage brothers were fixing an Italian moped on a driveway. They were Arnold and Eugene, the barbers’ sons,
A wireless distorted through the grapevine.

The brothers danced, passing spanners and tossing rags They revved and rolled their eyes.
They waved at Bob and called out
“Hey Bob, How y’doing buddy?”

Bob nodded to show he was OK... today.

Bob wobble-struggled on down the hill,
through school and the youth club into early adulthood. Sometimes traumatic memories
haunted, howled, horrified or helped,
especially if he dreamt of Emily
and woke up with Julia. 

CIII. Bloodied Shavings of Deteriorating Time

A documentary starts weaving
Through sunlit clifftop church ruins,
Gull shaped silhouettes en-shadow the sacred stones, A fast grey navy motor-boat trails the coast below.

He remembers taking his father’s horse without permission The audacity
The excitement
The speed

The danger The plain The tent The woman The tea The joy

His father’s anger and cruel revenge.

Now, In their city of wickedness.
They are teaching him to read and speak and think their way.

There are two women.
One who asks a question in the language of documentaries. and his sister who whispers and weeps.
He barely hears what she says.
The subtitle is completely wrong.
 


Itunes, Apple music, Deezer, etc.:


And on Bandcamp:

OUI072 : Varv / Transit

 



OUI072: Varv / Transit

After their debut Lowlands ( see OUI032), the duo Varv continues their journey with Transit (Off Record, April 2026), a work that deepens their exploration across different musical genres, which lies at the heart of the project.

The album’s six tracks outline possible forms of dialogue between the two musicians, in a constant exchange where sound—through its modulation and continuous evolution—remains both the focus and the premise of their compositional research. Electronic sequences, written material, and improvisation intertwine in structures that are sometimes open, sometimes more rigid, yet always capable of transforming along the way.

Transit evokes precisely a condition of passage: a suspended space where nothing is rigidly defined, and every element remains in flux, malleable, and in a state of continuous possibility.


Varv is a crossover project (contemporary jazz, electronic) formed by Andrea Cappi on keyboards and Francesco Mascolo on drums. Their music blends written material, improvisation, and sound manipulation. The name of the project evokes both the evocative and structural nature of their research: a path that unfolds through layers, overlapping different influences and languages until it forms a narrative that opens onto distant landscapes. In geology, a varve is an annual layer of sedimentary rock that records the passage of time and its transformations, like wrinkles on a face. In the same way, the duo’s music seeks to build itself through accumulation and mutation.

Andrea Cappi: keyboards
Francesco Mascolo: drums

Digital release on the 24th of April 2026.

Track listing:

1: Bright
2: Wormhole
3: Place to digress
4: Vice
5: Arkose
6: Drifters' deal

Itunes, Apple music, Deezer, Etc.:


And on Bandcamp:

Friday, 17 April 2026

ODG239 : Charles-Eric Charrier / ViE

 

Cover art by Gilda Temple


ODG239: Charles-Eric Charrier / ViE

Originally released in 2 separate albums under the band name vlady Miss: first the Ep 'Muter/mute in April 2020 as an auto production, then the album 'ViE' in January 2021on a small French label.

Time to (re) discover this music as beautiful as it is unclassifiable. 
Music long since freed from all constraints and burdens.

What the press wrote at the time for 'ViE' (extracts):

1: in Indiepoprock by Yan Kouton

"VIE in capital letters, couldn’t better express what comes alive on this album; so many vibrations, resonances, weightless notes, short phrases whose astonishing grace never ceases to captivate. This combination of sounds and silences into which we are immersed, this ensemble of rhythms and pitches, nuances, and the timbre of the voice truly constitutes authentic poetry. A complete poetry, both sonic and written, at once sensual and spiritual, profound and visceral.

"VIE" is a truly great album by a musician at the height of his powers, showcasing the serene power of his vision. It's worth noting that the album is accompanied by a magnificent visual extension: a series of videos that further enhance the appeal of this essential "VIE."

2: Sun BURNS OUT by Benjamin Berton

"Highly active as a solo artist, Charrier returns with a seven-track album for which he wrote the lyrics and composed the music in collaboration with Laurent Komlanvi Bel. The record boasts a rich production and an electro-folk warmth that lends it a captivating, woody, and magical texture. One is reminded of the singer-songwriters of Hood and the entire new folk galaxy on the sublime "Cingle," with its crackling, generous electronica reminiscent of a crackling fireplace. "The Komlanvi's Song" is delicately pastoral and beautiful, like something by John Martyn. ViE is one of those albums that is best listened to rather than analyzed."

And about Muter/Mute:

1: Indiepoprock by Yan Kouton

"Seemingly simple, this new EP appears to capture the very essence of music, oscillating between experimentation, unconventional jazz, and mutated blues. But this doesn't truly reveal the mystery carried by these tracks, barely accompanied by Charles-Eric Charrier's minimalist poetry. The essential element lies elsewhere."

2: Indierockmag:

"Co-produced by Laurent Komlanvi Bel, with whom Charles-Eric Charrier released the album Rising at the end of 2018, Muter/Mute gives pride of place to the acoustic guitar, and even to guitar duets, without stagnating in prettiness, far from it! Thus, the immaculate and no less organic folk romanticism of the title track gives way against a backdrop of distortions to Charrier's sensual prose before morphing (mute?) into a saturated percussive trance, while the reveries of Assembler, illuminated by ambient layers, gradually gain intensity with the deconstructed strikes and other hypnotic effects, evoking early Labradford or even The For Carnation. As for the shimmering meditations of the summit, Raccompagner Léger, their African blues accents become increasingly drone-like, shamanic, and raw under the impetus of the toms and electric swells, revealing some affinities with the excellent William Ryan Fritch/Vieo Abiungo, much to the delight of aficionados like ourselves. An EP as short as it is vibrant."

You know what you have to do!

Voix : Béatrice Temple : « Into the wind »
Textes: Charles-Eric Charrier
Musiques : Charles-Eric Charrier et Laurent Komlanvi Bel
Réalisation artistique, enregistrement et mix : Laurent Komlanvi Bel
Joué par LKB & CEC
Mastering : Pierre Vervloesem
Production : Charles-Eric Charrier
Lettrage : Gilda Temple

Digital release on the 17th of April 2026.

Track listing:

ViE:

1.     La Source
2.      Cingle
3.     The Komlanvi’s song
4.     Into the Wind
5.     Un & Zéro
6.     Libre de moi
7.     Affleure
 
Muter/Mute:
1.     Muter/Mute
2.     Raccompagner léger
3.     Assembler

Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Tuesday, 14 April 2026

OMT019 : Shabaaz Mystic / Graine

 


OMT019: Shabaaz Mystic / Graine

Shabaaz Mystik returns with his new album 'Graine' (Seed), where he affirms his unique style by building a universe where African musical tradition and modernity meet, where hip-hop, jazz, and soul fuse to create a universal language.

It's also a return to his roots in Congo-Brazzaville, his birthplace and beloved home.

Each track tells a story drawn from his culture, whether ancestral, paternal, or local, making this perhaps his most personal album to date.

It's an invitation to slow down, listen deeply, and allow what might blossom within each of us to germinate.

Each track is designed to touch the soul, inviting reflection and dance. ‘Graine' is the most accomplished expression of his artistic approach. More than just a record, it's a true sonic ritual where each track is a seed sown in the mind and heart of the listener. 

The album explores themes of rebirth, memory, transmission, and healing, offering an introspective and sensory journey through silence, pulse, and poetry.



Shabaaz Mystik: voices, compossitions, guitar on #6
Milla Andora: chorus on #1 and 6, voice on #10
B-Flow: voice on #7
Nikola Bonnel: keys and percussions on #6, production #9
Chuck l'Apache: production on #1, 2, 3, 4, 5, 10
King Siroko: production #7
Sidus: production #8
Memba Toussaint: production #11
Scalpel Studio: mastering

Digital release on the 14th of April 2026.

Track listing:

1. A Mouni (chorus Milla Andora)
2. Graine
3. Ekolongo
4. Rumbalistik
5. Inchangé
6. Lifoula (chorus Milla Andora)
7. Articial World (feat. B-Flow)
8. Rose Rouge
9. Oyo ya yo
10: Totalité (feat. Milla Andora)
11: Voix D’Une Lionne

credits


Itunes, Apple Music, Deezer, etc.:


And on Bandcamp:

Friday, 10 April 2026

OUI071 : Puma Dechambre duo / /Pause/

 



OUI071: Puma Dechambre duo / /Pause/

The two musicians give themselves completely to invite you to finally take the time. They took that time to compose these seven pieces—sensitive, fragile, and powerful at once—together, with four hands and twenty fingers. /Pause/ is: ten days in the studio, an unconditional love of sound, new sonic experiences, an acoustic journey that occasionally ventures into electronic territories, seven different soundscapes, and above all, a willingness to embrace randomness and accidents.

The two friends know each other deeply and leap into the unknown, trusting each other blindly. These seven musical tableaux invite you first to imagine infinitely vast spaces, and then to explore uncharted microcosms.

Nicolas and Clément

Clément Dechambre is in a perpetual search for what moves him. A composer, performer,
and improviser, you can hear him playing saxophone, bass clarinet, flute, synthesizers,
and electronics.
At the age of seven, he discovered the joy of playing an instrument in a small music
school. This was followed by a desire to express himself more freely. Later, he had a
revelation upon discovering improvisation through the lens of jazz music, and eventually,
free improvisation. These explorations led him to dedicate his life to music.

He performs regularly in solo projects or with various ensembles: The Brums, Puma-
Dechambre Duo, Un (solo), Bruits de Souffle, Oootoko, Dinah, and Lewis & The Soul
Caravan. Despite the diversity of these musical styles, a common thread runs through
them: the search for an honest and personal point of view.
Clément also collaborates frequently, contributing to unique performances and studio
projects with artists such as Dan San, Condore, Sharko, Soulmista, Isidore,Kriza,
Performed Matter, Agnès Botty, and many others.

Nicolas Puma began playing the violin at the age of 4, and later switched to the
electric bass, teaching himself at the age of 13.
His love for the double bass emerged after listening to the music of Charles Mingus, which he
discovered at his musician friend Clément Dechambre's (Tenor Sax) house.
He won first prize and the audience prize at the XL-Jazz Contest during the Brussels Jazz Marathon 2015 with the group Four of a Kind ( see ODG037).
In 2024, with his duo "Puma Dechambre Duo," he won first prize in the "Sphère Sonore"
competition, and also secured second prize with Aurélie Charneux's trio (Tropical Tayga).
For him, music knows no boundaries, which drives him to instinctively be part of groups from
completely different musical universes. He currently performs with Puma Dechambre Duo, Aurélie Charneux Trio (Tropical Tayga), Ista Swing, Nena "La Raiz", About that Puma in the Garden, Pavel Puma Gionata Trio, Neige Trio, Fernando Neris Blues Trio, and is a member of L'Œil Kollectif (improvised music).
Free improvisation is a cornerstone of his musical creations, guiding him towards new sonic,
rhythmic, and harmonic textures, beyond traditional paths. His playing style is refined and airy, with a full and powerful sound. 
He is also the only maker of organic gut strings for double bass in Belgium, which gives him a unique and personalized sound, as he plays on his own strings.

Nicolas Puma: double bass, electronic
Clément Dechambre: bass clarinet, tenor sax, flute

Record, mix and master par Jean-François Hustin at studio de la province de Liège.

Digital and physical release on the 10th of April 2026.

Track listing:

1. Balançoire
2. Ballon
3. Hans
4. Gouttes
5. Coquillages
6. Orage
7. Accordéon

Itunes, Apple Music, Deezer, etc.:


For the vinyl, email to : pumadechambreduo@gmail.com

And on Bandcamp:

Friday, 3 April 2026

OCD054-OUI070 : João Lobo / Nahang


Cover pic by Alexandre Soeiro
 

OCD054-OUI070 : João Lobo / Nahang

'Nahang' means whale and is both a simple reference to a sound that keeps coming back in the record and the deeper meaning that this animal has in our planet. The group is based on the trio from Lobo's previous album, "Simorgh", with Norberto Lobo and Soet Kempeneer, adding the voice of Lynn Cassiers. This group explores an electric sound, with low volume but high intensity through original compositions. The music searches the balance between movement and staticity with long repetitive grooves and soundscapes that serve as canvases for other interventions (words, melodies, improvisations). The lyrics are inspired particularly by bel hooks' "all about love" as well as real events that show the collective inability of human beings to love (themselves, other humans and other living beings).

João Lobo: drums, keyboards, voice
Lynn Cassiers: voice, electronics
Norberto Lobo: electric guitar
Soet Kempeneer: electric bass, double bass, keyboards
Nooshin Khatami: spoken word samples on tracks 2 and 3
All music and lyrics written by João Lobo except for excerpts of translated poems by Rumi spoken on tracks 2 and 3.

Recorded, mixed and mastered by Chistophe Albertijn.
Cover photo by Alexandre Soeiro
Thank you Nooshin, Lynn, Nor, Soet, Christophe, Werkplaats Walter, Alex, James and Alain.


João Lobo:

From jazz to gnawa music, electro-acoustic trance to total improvisation, in solo or in a big band, collaborating on dance and theatre productions and making soundtracks for movies, João Lobo maintains a versatile career as a musician mainly playing the drums. He has released two records under his name: “Nowruz” in 2017 and “Simorgh” in 2020.He is the co-founder of Oba Loba, Going, Tetterapadequ, Norman, Mulabanda, and a proud member of Giovanni Guidi Trio, Manuel Hermia Trio, Punk Kong, An Pierlè&La Lumière, Daniel Stokart Quartet

He has recorded more than 60 albums, some self-produced and others for labels such as ECM, Clean Feed, CamJazz, De Werf, El Negocito, three:four records, Challenge, NEOS.
He has performed and/or recorded in many countries around the world with many musicians including Enrico Rava, Marshall Allen, Roswell Rudd, Carlos Bica, Nate Wooley, Maalem Hassan Zogari, Tatsuhisa Yamamoto, Thomas Morgan, Chris Corsano, and collaborates intensely with Norberto Lobo, Giovanni Di Domenico, Lynn Cassiers, Manolo Cabras and Giovanni Guidi.

Norberto Lobo:

Norberto Lobo is a Lisbon-based guitarist who has had a long solo career with seven critically acclaimed records in his name: “Mudar de Bina” (2007), “Pata Lenta” (2009), “Fala Mansa” (2011), “Mel Azul” (2012), “Fornalha” (2014), “Muxama” (2016) and “Estrela” (2018) as well as performances around the world. He has worked with Ben Chasny, Naná Vasconcelos, Joshua Abrams and regularly collaborates with Yaw Tembe, Eric Chenaux, Marco Franco, João Lobo, a.o. Jack Rose and Ben Chasny have said that he has one of the best left-hands around - for a right-hand guitar player. His fans include Gary Lucas and the late Llasa de Sela.

Lynn Cassiers:

Lynn Cassiers is a Brussels-based singer and soundscaper in the new jazz and improv scene. She has worked with leading contemporary jazz ensembles such as Octurn, Lidlboj, The Brussels Jazz Orchestra, Mäâk, and Naga, among others. She is also part of bands like Lilly Joel/Lilly Joel Plays The Organ (Jozef Dumoulin), Holsen & Cassiers (Hilde Holsen), Tape Cuts Tape (Rudy Trouvé, Eric Thielemans), Flying Nimbus (Manolo Cabras), Sylvaine Hélary’s ‘L’Orchestre Incandescent,’ Airelle Besson Quartet, Oba Loba, Alexandra Grimal’s Naga & La Vapeur au-dessus du Riz, and Oriol Roca Trio featuring Lynn Cassiers.

In addition to performing solo and as a sideman, Lynn leads her own projects: ‘Imaginary Band’ (Clean Feed, 2018) and ‘YUN’ (Clean Feed, 2020). These are two mid-sized electro-acoustic ensembles that, despite a partially overlapping lineup, each have their own distinct sound and repertoire (featuring Erik Vermeulen, Marek Patrman, Manolo Cabras, Bo Van Der Werf, Jozef Dumoulin, Sylvain Debaisieux, Ananta Roosens, and Niels Van Heertum).

Lynn’s work incorporates a wide variety of styles, including free jazz, pop, rock, noise, film music, folk, and ambient. Over the years, she has developed a unique style, using electronics to manipulate her voice and create abstract sound textures in various musical contexts. Her work has been reviewed by the international press.

Soet Kempeneer:

Soet Kempeneer is a Belgian bassist, double bass and synthesizer player working across jazz, electronic and experimental music. He is active in projects including SLAGADER, Jokke, Innocnt and Woolvs Large Ensemble, moving between electric bass, double bass and synthesizers. His musical world draws from jazz, pop, improvised music, electronic textures and experimental pop.

Digital and physical release on the 3rd of April 2026.

Track listing:

1: Freya
2: Meet The Dawn
3: Almohadilla
4: Zan Zen Zing
5: The Work
6: Foo Ping

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CD:
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