Friday, 26 August 2022

OUC041 : Alinovsky feat. Phoebe Tsang / The Angel Particle

 


Cover art by A.L.


OUC041 : Alinovsky feat. Phoebe Tsang / The Angel Particle

Alinovsky: 

"During the 2020 Brussels lockdown I asked Phoebe to record her violin. It could be tracks, improvisations, loops, just bow or strings noises...whatever she would like to do. As she was busy finishing a poetry book she took quite a few months to deliver but in September 2021 she had a 4 days window opportunity with a loaned recorder device so she took it and recorded a bunch of tracks in various tempi, lengths and tries. I quickly worked on 4 tracks end of 2021, editing, adding effects, keys and percussions and let the tracks on a side until May 2022 when I finally took a week to listen back, edit, work on new ones and finish the album with a 23 minutes track!

I gave all to Pierre Vervloesem who added a few real basses, a bass solo and a nice ending on track 7, did the overall mix and mastering.

The Angel Particle track is just a simple 5 minutes violin take with a succession of notes from Phoebe slowed at 30 bpm which gives it almost a trumpet sound at times. This is perfect if you want to close your eyes and stop thinking.

For a better pleasure, listen to the whole album with headphones!"

Phoebe Tsang: all the violins - see also her solo album OUC019
Alinovsky: arrangements, keys, fake violins, percussions, pre-mixes
Pierre Vervloesem: added basses, spices, mix and mastering

More about Phoebe music and books: https://www.phoebetsang.com

Digital release on the 26th of August 2022.

Track listing:

1: Fire
2: Earth
3: Copper
4: Seal
5: Wood
6: Snow
7: Angel
8: The Angel Particle

9: Fire - alternative version - Bandcamp only bonus track

Itunes, Spotify, etc:


And on Bandcamp:

Friday, 19 August 2022

ODG159 : Floy Krouchi - Núria Martínez-Vernis / Electrogenètica

 


Cover art by A.L., script drawing for the performance by Floy Krouchi


ODG159 : Floy Krouchi -  Núria Martínez-Vernis / Electrogenètica

Two stubborn explorers of their respective arts, music and poetry met at GTS for a concert/recital that resulted in an intense journey through the depths of artistic creation in May 2018.
A dragged and disturbing abecedary opened the Encounter in the Space Time. Núria Martínez- Vernis started the recital by shelling the letters of the alphabet with blasts and cacophonies while Floy Krouchi started her machinery producing sound waves skimming the ground, or even below, thus creating a dark and unhurried ambient, both dense and hypnotic only loosen in the short final encore. Krouchi and Martínez-Vernis, two “parallel worlds that understand each other from ear to ear,” weaved a deep recital, they cooked a rich magma as slow as bright that still reverberates on the walls of the venue, as well as on the arteries of the audience.

They have baptised their action Electrogenètica and the final result is a 38 minutes of music, voices and sounds that go deep in a sort of trance that hypnotises our ears.

Floy Krouchi

French bassist Floy Krouchi (see also OCD047), LEM’s resident artist in 2017 and 2018, is a renowned experimenter on the possibilities of her instrument, the sounds of which she modifies as she wishes thanks to electronic devices. Outstanding composer, she has worked with artists of several disciplines all over de world, performing sonic installations, web-art and music for dance and experimental cinema. 

Núria Martínez-Vernis

On the other hand, Catalan poet Núria Martínez-Vernis, with three published books and several prizes, is one of the most powerful voices if the current Catalan poetry, having performed in hundreds of recitals. She is currently immersed in the research of the stage possibilities of improvisation with words, being a pioneer in this field in our country.


Concert recorded live at the Gràcia Territori Sonor Headquarters, Barcelona, May 31, 2018, within the program of Encontres en l'Espai-Temps, improvisation sessions within the framework of Off LEM.

Floy Krouchi: Bass, electronics
Núria Martínez Vernis : Texts, voice
Direct sound: Irene Roca
Pre-master for the Archive: Albert Guitart
Mastering: Pierre Vervloesem
The photographs are by Cristian Vega.

Dedicated to Victor Nubla 

Meetings at l'Espai-Temps (EET): Interdisciplinary Laboratory of Improvisation are combined sessions of collective improvisation of artists from different disciplines: music, dance, poetry, narrative and acting, and visual arts. He raises the intersections between the arts of words, body, sound and drawing live when they come together in the same space-time through the improvisational grammars of those disciplines. It also includes readings, screenings and a combination of several of these activities, although mainly in their performative aspect. The year- round extension of this device allows it to adapt to the opportunities of touring artists and the possibilities of their interaction with local creators. Encounters in Space-Time (EET) are a perfect container for interdisciplinary, intergenerational and transnational experimentation and also allow local artists to be tracked for international exchanges as well as for programming at the LEM.

Digital release on the 19th of August 2022.

Track listing:

1: Electrogenètica (38 minutes)

Itunes, Spotify, etc:

https://bfan.link/electrogenetica

And on Bandcamp:

Friday, 15 July 2022

OJP066 : Shinji Kikuchi / Guitalelistication

 

Cover art by A.L.


OJP066 : Shinji Kikuchi / Guitalelistication

Another lost masterpiece from Shinji Kikuchi (see also OJP043).

Shinji about his album:

"This instrumental album was recorded in 2000 when I just returned from Salvador Bahia in Brazil back in Japan.
I had to return to play with a musician from the Andes that I used to play with.
I like Andean music but I wanted to record  using my new skills learned while playing Brazilian music and jazz in Salvador Bahia.
I used a Yamaha "guitalele" which is like a ukulele but has 2 additional bass strings.
My ambition was to be endorsed by Yamaha to get money and make more albums in order to make this instrument"guitalele"famous but as you can guess I failed miserably.
Nevertheless I did live performances with another guitarist  and I sold this CD when performing with the Andean musician even though we were not playing any music from this album.
The album succeeded with some people but I was young and expected more reaction from the music world though my promotion skills were far from professional.
I recorded one more album with this style then when something different."

All music composed and all instruments played by Shinji Kikuchi on a Yamaha MD4 multi track recorder in his home studio in Kawasaki Kanagawa Japan.



Digital release on the 15th of July 2022.

Track listing:

1: Mamita
2: Caxa de agua
3: Winter gate
4: Birthday
5: Verguenza
6: Pentatonic love
7: Cigarra
8: Insanity
9: Humor
10: Frog
11: Los piratas

Itunes, Spotify, etc.:


And on Bandcamp:

Friday, 8 July 2022

OUC040 : Mathieu Babinot / Requiem

 

Cover art by Mathieu Babinot


OUC040 : Mathieu Babinot / Requiem

New album for French composer Mathieu Babinot (see also ODG124 and ODG141).

What he says about it:

'For me this album is not an album about mourning but more a retrospection on what sensorially could await us on the other side. It's like an inner journey on this great unknown, like a reflection of our fragile nature as human beings.

To write this album I based myself on parts of classical Requiem including Mozart, Fauré, Wagner and Vivaldi. I used them as a sound base by modifying them and then I added my own instruments and musical parts.'

Digital release on the 8th of July 2022.

Track listing:

1: Humatio (the burial)
2: Tenebris descensus (Dark Descent)
3: Gravibus ostium (Heavy gate)
4: Iudicium (The Judgment)
5: Lux (The Light)

Itunes, Spotify etc:


And on Bandcamp:

Friday, 1 July 2022

OPN006 : Domenico Solazzo's PaNoPTiCoN / Live at Brass

 


Covert art by Domenico Solazzo


OPN006 : Domenico Solazzo's PaNoPTiCoN / Live at Brass

6th release in the Domenico Solazzo's PaNoPTiCoN!
Improvised and recorded LIVE AT BRASS, Brussels, Belgium, March 11th 201.

Line up:
Olivier Catala (bass)
Antoine Guenet (keyboards) - see also OCD041OCD042OCD043OCD049,ODG140 and ODG148
François Lourtie (alto, bass and soprano saxophones)
Marti Mèlia (bass and tenor saxophones)
Domenico Solazzo (drums, percussions, keyboards, laptop, loopstation, direction)

Sound engineer, postproduction & artwork: Domenico Solazzo

Itunes, Spotify, etc:


And on Bandcamp:

Wednesday, 29 June 2022

OMT012 : Shabaaz Mystik / Water and Love

 


Cover art by Antoine Richard


OMT012 : Shabaaz Mystik / Water and Love

After giving us to his magnificent album (see OMT011) at the end of 2021, Shabaaz returns with a mini album which includes 2 remastered titles of Ndzimitik (Yoka and Ndzimitik), a remix from his very first album and 2 new titles.

Shabaaz Mystik once again gives birth to his vision of time and space through traces of life, words and music he composed for this EP.

A perfect fusion between urban rhythms, strong words (The Message - with a reggae vibe) and the poetry of his native land. Enjoy!

Digital release on the 29th of June 2022.

Track listing:

1: Yoka - Revised 2022
2: Nayabingui Poesia
3: Le Message
4: 7ème Symphonie - Intemporel Remix
5: Ndzimitik - Revised 2022

Mastering by Pierre Vervloesem.

Itunes, Spotify etc:


And on Bandcamp:

Friday, 24 June 2022

OVD059 : Pierre Vervloesem / Zgouing

 


Covert art by Pierre Vervloesem


OVD059 : Pierre Vervloesem / Zgouing

The world in 2022 as seen by Pierre Vervloesem with his usual humour and talent. 

A concept for everyone to have fun! Enjoy!

Digital release on the 24th of June 2022.

Track listing:

1: On va pas en faire tout un fromage
2: De la merde jusqu'au cul
3: On est pas sorti de l'auberge
4: C'est toujours ça que les boches n'auront pas
5: Ça laisse à désirer

Itunes, Spotify etc:


And on Bandcamp: